
Abbe Marignan's 
martial name suited him well. He was a tall, thin priest, fanatic, 
excitable, yet upright. All his beliefs were fixed, never varying. He 
believed sincerely that he knew his God, understood His plans, desires 
and intentions.
When he walked with 
long strides along the garden walk of his little country parsonage, he 
would sometimes ask himself the question: “Why has God done this?” And 
he would dwell on this continually, putting himself in the place of God,
 and he almost invariably found an answer. He would never have cried out
 in an outburst of pious humility: “Thy ways, O Lord, are past finding 
out.”
He said to himself: 
“I am the servant of God; it is right for me to know the reason of His 
deeds, or to guess it if I do not know it.”
Everything in nature
 seemed to him to have been created in accordance with an admirable and 
absolute logic. The “whys” and “becauses” always balanced. Dawn was 
given to make our awakening pleasant, the days to ripen the harvest, the
 rains to moisten it, the evenings for preparation for slumber, and the 
dark nights for sleep.
The four seasons 
corresponded perfectly to the needs of agriculture, and no suspicion had
 ever come to the priest of the fact that nature has no intentions; 
that, on the contrary, everything which exists must conform to the hard 
demands of seasons, climates and matter.
But he hated woman -
 hated her unconsciously, and despised her by instinct. He often 
repeated the words of Christ: “Woman, what have I to do with thee ?” and
 he would add: “It seems as though God, Himself, were dissatisfied with 
this work of His.” She was the tempter who led the first man astray, and
 who since then had ever been busy with her work of damnation, the 
feeble creature, dangerous and mysteriously affecting one. And even more
 than their sinful bodies, he hated their loving hearts.
He had often felt 
their tenderness directed toward himself, and though he knew that he was
 invulnerable, he grew angry at this need of love that is always 
vibrating in them.
According to his 
belief, God had created woman for the sole purpose of tempting and 
testing man. One must not approach her without defensive precautions and
 fear of possible snares. She was, indeed, just like a snare, with her 
lips open and her arms stretched out to man.
He had no indulgence
 except for nuns, whom their vows had rendered inoffensive; but he was 
stern with them, nevertheless, because he felt that at the bottom of 
their fettered and humble hearts the everlasting tenderness was burning 
brightly, that tenderness which was shown even to him, a priest.
He felt this cursed 
tenderness, even in their docility, in the low tones of their voices 
when speaking to him, in their lowered eyes, and in their resigned tears
 when he reproved them roughly. And he would shake his cassock on 
leaving the convent doors, and walk off, lengthening his stride as 
though flying from danger.
He had a niece who lived with her mother in a little house near him. He was bent upon making a sister of charity of her.
She was a pretty, 
brainless madcap. When the abbe preached she laughed, and when he was 
angry with her she would give him a hug, drawing him to her heart, while
 he sought unconsciously to release himself from this embrace which 
nevertheless filled him with a sweet pleasure, awakening in his depths 
the sensation of paternity which slumbers in every man.
Often, when walking 
by her side, along the country road, he would speak to her of God, of 
his God. She never listened to him, but looked about her at the sky, the
 grass and flowers, and one could see the joy of life sparkling in her 
eyes. Sometimes she would dart forward to catch some flying creature, 
crying out as she brought it back: “Look, uncle, how pretty it is! I 
want to hug it!” And this desire to “hug” flies or lilac blossoms 
disquieted, angered, and roused the priest, who saw, even in this, the 
ineradicable tenderness that is always budding in women's hearts.
Then there came a 
day when the sexton's wife, who kept house for Abbe Marignan, told him, 
with caution, that his niece had a lover.
Almost suffocated by
 the fearful emotion this news roused in him, he stood there, his face 
covered with soap, for he was in the act of shaving.
When he had sufficiently recovered to think and speak he cried: “It is not true; you lie, Melanie !”
But the peasant 
woman put her hand on her heart, saying: “May our Lord judge me if I 
lie, Monsieur le Cure ! I tell you, she goes there every night when your
 sister has gone to bed. They meet by the river side; you have only to 
go there and see, between ten o'clock and midnight.”
He ceased scraping 
his chin, and began to walk up and down impetuously, as he always did 
when he was in deep thought. When he began shaving again he cut himself 
three times from his nose to his ear.
All day long he was 
silent, full of anger and indignation. To his priestly hatred of this 
invincible love was added the exasperation of her spiritual father, of 
her guardian and pastor, deceived and tricked by a child, and the 
selfish emotion shown by parents when their daughter announces that she 
has chosen a husband without them, and in spite of them.
After dinner he 
tried to read a little, but could not, growing more and, more angry. 
When ten o'clock struck he seized his cane, a formidable oak stick, 
which he was accustomed to carry in his nocturnal walks when visiting 
the sick. And he smiled at the enormous club which he twirled in a 
threatening manner in his strong, country fist. Then he raised it 
suddenly and, gritting his teeth, brought it down on a chair, the broken
 back of which fell over on the floor.
He opened the door 
to go out, but stopped on the sill, surprised by the splendid moonlight,
 of such brilliance as is seldom seen.
And, as he was 
gifted with an emotional nature, one such as had all those poetic 
dreamers, the Fathers of the Church, he felt suddenly distracted and 
moved by all the grand and serene beauty of this pale night.
In his little 
garden, all bathed in soft light, his fruit trees in a row cast on the 
ground the shadow of their slender branches, scarcely in full leaf, 
while the giant honeysuckle, clinging to the wall of his house, exhaled a
 delicious sweetness, filling the warm moonlit atmosphere with a kind of
 perfumed soul.
He began to take 
long breaths, drinking in the air as drunkards drink wine, and he walked
 along slowly, delighted, marveling, almost forgetting his niece.
As soon as he was 
outside of the garden, he stopped to gaze upon the plain all flooded 
with the caressing light, bathed in that tender, languishing charm of 
serene nights. At each moment was heard the short, metallic note of the 
cricket, and distant nightingales shook out their scattered notes, their
 light, vibrant music that sets one dreaming, without thinking, a music 
made for kisses, for the seduction of moonlight.
The abbe walked on 
again, his heart failing, though he knew not why. He seemed weakened, 
suddenly exhausted; he wanted to sit down, to rest there, to think, to 
admire God in His works.
Down yonder, 
following the undulations of the little river, a great line of poplars 
wound in and out. A fine mist, a white haze through which the moonbeams 
passed, silvering it and making it gleam, hung around and above the 
mountains, covering all the tortuous course of the water with a kind of 
light and transparent cotton.
The priest stopped once again, his soul filled with a growing and irresistible tenderness.
And a doubt, a vague feeling of disquiet came over him; he was asking one of those questions that he sometimes put to himself.
“Why did God make 
this ? Since the night is destined for sleep, unconsciousness, repose, 
forgetfulness of everything, why make it more charming than day, softer 
than dawn or evening ? And why does this seductive planet, more poetic 
than the sun, that seems destined, so discreet is it, to illuminate 
things too delicate and mysterious for the light of day, make the 
darkness so transparent ?
“Why does not the 
greatest of feathered songsters sleep like the others ? Why does it pour
 forth its voice in the mysterious night ?
“Why this half-veil 
cast over the world ? Why these tremblings of the heart, this emotion of
 the spirit, this enervation of the body ? Why this display of 
enchantments that human beings do not see, since they are lying in their
 beds ? For whom is destined this sublime spectacle, this abundance of 
poetry cast from heaven to earth ?”
And the abbe could not understand.
But see, out there, 
on the edge of the meadow, under the arch of trees bathed in a shining 
mist, two figures are walking side by side.
The man was the 
taller, and held his arm about his sweetheart's neck and kissed her brow
 every little while. They imparted life, all at once, to the placid 
landscape in which they were framed as by a heavenly hand. The two 
seemed but a single being, the being for whom was destined this calm and
 silent night, and they came toward the priest as a living answer, the 
response his Master sent to his questionings.
He stood still, his 
heart beating, all upset; and it seemed to him that he saw before him 
some biblical scene, like the loves of Ruth and Boaz, the accomplishment
 of the will of the Lord, in some of those glorious stories of which the
 sacred books tell. The verses of the Song of Songs began to ring in his
 ears, the appeal of passion, all the poetry of this poem replete with 
tenderness.
And he said unto himself: “Perhaps God has made such nights as these to idealize the love of men.”
He shrank back from 
this couple that still advanced with arms intertwined. Yet it was his 
niece. But he asked himself now if he would not be disobeying God. And 
does not God permit love, since He surrounds it with such visible 
splendor ?
And he went back musing, almost ashamed, as if he had intruded into a temple where he had, no right to enter.

 
