THE PROPHETIC PICTURES - by Nathaniel Hawthorne - from "Twice Told Tales "

 

"But this painter !" cried Walter Ludlow, with animation. "He not only excels in his peculiar art, but possesses vast acquirements in all other learning and science. He talks Hebrew with Dr. Mather and gives lectures in anatomy to Dr. Boylston. In a word, he will meet the best-instructed man among us on his own ground. Moreover, he is a polished gentleman, a citizen of the world, yes, a true cosmopolite; for he will speak like a native of each clime and country on the globe, except our own forests, whither he is now going. Nor is all this what I most admire in him."

"Indeed!" said Elinor, who had listened with a women's interest to the description of such a man. "Yet this is admirable enough."

"Surely it is," replied her lover, "but far less so than his natural gift of adapting himself to every variety of character, insomuch that all men and all women too, Elinor shall find a mirror of themselves in this wonderful painter. But the greatest wonder is yet to be told."

"Nay, if he have more wonderful attributes than these," said Elinor, laughing, "Boston is a perilous abode for the poor gentleman. Are you telling me of a painter, or a wizard?"

"In truth," answered he, "that question might be asked much more seriously than you suppose. They say that he paints not merely a man's features, but his mind and heart. He catches the secret sentiments and passions and throws them upon the canvas like sunshine, or perhaps, in the portraits of dark-souled men, like a gleam of infernal fire. It is an awful gift," added Walter, lowering his voice from its tone of enthusiasm. "I shall be almost afraid to sit to him."

"Walter, are you in earnest?" exclaimed Elinor.

"For Heaven's sake, dearest Elinor, do not let him paint the look which you now wear," said her lover, smiling, though rather perplexed. "There! it is passing away now; but when you spoke, you seemed frightened to death, and very sad besides. What were you thinking of?"

"Nothing, nothing!" answered Elinor, hastily. "You paint my face with your own fantasies. Well, come for me tomorrow, and we will visit this wonderful artist."

But when the young man had departed, it cannot be denied that a remarkable expression was again visible on the fair and youthful face of his mistress. It was a sad and anxious look, little in accordance with what should have been the feelings of a maiden on the eve of wedlock. Yet Walter Ludlow was the chosen of her heart.

"A look!" said Elinor to herself. "No wonder that it startled him if it expressed what I sometimes feel. I know by my own experience how frightful a look may be. But it was all fancy. I thought nothing of it at the time; I have seen nothing of it since; I did but dream it;" and she busied herself about the embroidery of a ruff in which she meant that her portrait should be taken.

The painter of whom they had been speaking was not one of those native artists who at a later period than this borrowed their colors from the Indians and manufactured their pencils of the furs of wild beasts. Perhaps, if he could have revoked his life and prearranged his destiny, he might have chosen to belong to that school without a master in the hope of being at least original, since there were no works of art to imitate nor rules to follow. But he had been born and educated in Europe. People said that he had studied the grandeur or beauty of conception and every touch of the master-hand in all the most famous pictures in cabinets and galleries and on the walls of churches till there was nothing more for his powerful mind to learn. Art could add nothing to its lessons, but Nature might. He had, therefore, visited a world whither none of his professional brethren had preceded him, to feast his eyes on visible images that were noble and picturesque, yet had never been transferred to canvas. America was too poor to afford other temptations to an artist of eminence, though many of the colonial gentry on the painter's arrival had expressed a wish to transmit their lineaments to posterity by moans of his skill. Whenever such proposals were made, he fixed his piercing eyes on the applicant and seemed to look him through and through. If he beheld only a sleek and comfortable visage, though there were a gold-laced coat to adorn the picture and golden guineas to pay for it, he civilly rejected the task and the reward; but if the face were the index of anything uncommon in thought, sentiment or experience, or if he met a beggar in the street with a white beard and a furrowed brow, or if sometimes a child happened to look up and smile, he would exhaust all the art on them that he denied to wealth.

Pictorial skill being so rare in the colonies, the painter became an object of general curiosity. If few or none could appreciate the technical merit of his productions, yet there were points in regard to which the opinion of the crowd was as valuable as the refined judgment of the amateur. He watched the effect that each picture produced on such untutored beholders, and derived profit from their remarks, while they would as soon have thought of instructing Nature herself as him who seemed to rival her. Their admiration, it must be owned, was tinctured with the prejudices of the age and country. Some deemed it an offence against the Mosaic law, and even a presumptuous mockery of the Creator, to bring into existence such lively images of his creatures. Others, frightened at the art which could raise phantoms at will and keep the form of the dead among the living, were inclined to consider the painter as a magician, or perhaps the famous Black Man of old witch-times plotting mischief in a new guise. These foolish fancies were more than half believed among the mob. Even in superior circles his character was invested with a vague awe, partly rising like smoke-wreaths from the popular superstitions, but chiefly caused by the varied knowledge and talents which he made subservient to his profession.

Being on the eve of marriage, Walter Ludlow and Elinor were eager to obtain their portraits as the first of what, they doubtless hoped, would be a long series of family pictures. The day after the conversation above recorded they visited the painter's rooms. A servant ushered them into an apartment where, though the artist himself was not visible, there were personages whom they could hardly forbear greeting with reverence. They knew, indeed, that the whole assembly were but pictures, yet felt it impossible to separate the idea of life and intellect from such striking counterfeits. Several of the portraits were known to them either as distinguished characters of the day or their private acquaintances. There was Governor Burnett, looking as if he had just received an undutiful communication from the House of Representatives and were inditing a most sharp response. Mr. Cooke hung beside the ruler whom he opposed, sturdy and somewhat puritanical, as befitted a popular leader. The ancient lady of Sir William Phipps eyed them from the wall in ruff and farthingale, an imperious old dame not unsuspected of witchcraft. John Winslow, then a very young man, wore the expression of warlike enterprise which long afterward made him a distinguished general. Their personal friends were recognized at a glance. In most of the pictures the whole mind and character were brought out on the countenance and concentrated into a single look; so that, to speak paradoxically, the originals hardly resembled themselves so strikingly as the portraits did.

Among these modern worthies there were two old bearded saints who had almost vanished into the darkening canvas. There was also a pale but unfaded Madonna who had perhaps been worshipped in Rome, and now regarded the lovers with such a mild and holy look that they longed to worship too.

"How singular a thought," observed Walter Ludlow, "that this beautiful face has been beautiful for above two hundred years! Oh, if all beauty would endure so well! Do you not envy her, Elinor?"

"If earth were heaven, I might," she replied. "But, where all things fade, how miserable to be the one that could not fade!"

"This dark old St. Peter has a fierce and ugly scowl, saint though he be," continued Walter; "he troubles me. But the Virgin looks kindly at us."

"Yes, but very sorrowfully, methinks," said Elinor.

The easel stood beneath these three old pictures, sustaining one that had been recently commenced. After a little inspection they began to recognize the features of their own minister, the Rev. Dr. Colman, growing into shape and life, as it were, out of a cloud.

"Kind old man!" exclaimed Elinor. "He gazes at me as if he were about to utter a word of paternal advice."

"And at me," said Walter, "as if he were about to shake his head and rebuke me for some suspected iniquity. But so does the original. I shall never feel quite comfortable under his eye till we stand before him to be married."

They now heard a footstep on the floor, and, turning, beheld the painter, who had been some moments in the room and had listened to a few of their remarks. He was a middle-aged man with a countenance well worthy of his own pencil. Indeed, by the picturesque though careless arrangement of his rich dress, and perhaps because his soul dwelt always among painted shapes, he looked somewhat like a portrait himself. His visitors were sensible of a kindred between the artist and his works, and felt as if one of the pictures had stepped from the canvas to salute them.

Walter Ludlow, who was slightly known to the painter, explained the object of their visit. While he spoke a sunbeam was falling athwart his figure and Elinor's with so happy an effect that they also seemed living pictures of youth and beauty gladdened by bright fortune. The artist was evidently struck.

"My easel is occupied for several ensuing days, and my stay in Boston must be brief," said he, thoughtfully; then, after an observant glance, he added, "But your wishes shall be gratified though I disappoint the chief-justice and Madame Oliver. I must not lose this opportunity for the sake of painting a few ells of broadcloth and brocade."

The painter expressed a desire to introduce both their portraits into one picture and represent them engaged in some appropriate action. This plan would have delighted the lovers, but was necessarily rejected because so large a space of canvas would have been unfit for the room which it was intended to decorate. Two half-length portraits were therefore fixed upon. After they had taken leave, Walter Ludlow asked Elinor, with a smile, whether she knew what an influence over their fates the painter was about to acquire.

"The old women of Boston affirm," continued he, "that after he has once got possession of a person's face and figure he may paint him in any act or situation whatever, and the picture will be prophetic. Do you believe it?"

"Not quite," said Elinor, smiling. "Yet if he has such magic, there is something so gentle in his manner that I am sure he will use it well."

It was the painter's choice to proceed with both the portraits at the same time, assigning as a reason, in the mystical language which he sometimes used, that the faces threw light upon each other. Accordingly, he gave now a touch to Walter and now to Elinor, and the features of one and the other began to start forth so vividly that it appeared as if his triumphant art would actually disengage them from the canvas. Amid the rich light and deep shade they beheld their phantom selves, but, though the likeness promised to be perfect, they were not quite satisfied with the expression: it seemed more vague than in most of the painter's works. He, however, was satisfied with the prospect of success, and, being much interested in the lovers, employed his leisure moments, unknown to them, in making a crayon sketch of their two figures. During their sittings he engaged them in conversation and kindled up their faces with characteristic traits, which, though continually varying, it was his purpose to combine and fix. At length he announced that at their next visit both the portraits would be ready for delivery.

"If my pencil will but be true to my conception in the few last touches which I meditate," observed he, "these two pictures will be my very best performances. Seldom indeed has an artist such subjects." While speaking he still bent his penetrative eye upon them, nor withdrew it till they had reached the bottom of the stairs.

Nothing in the whole circle of human vanities takes stronger hold of the imagination than this affair of having a portrait painted. Yet why should it be so? The looking glass, the polished globes of the andirons, the mirror-like water, and all other reflecting surfaces, continually present us with portraits or, rather, ghosts of ourselves which we glance at and straightway forget them. But we forget them only because they vanish. It is the idea of duration of earthly immortality that gives such a mysterious interest to our own portraits.

Walter and Elinor were not insensible to this feeling, and hastened to the painter's room punctually at the appointed hour to meet those pictured shapes which were to be their representatives with posterity. The sunshine flashed after them into the apartment, but left it somewhat gloomy as they closed the door. Their eyes were immediately attracted to their portraits, which rested against the farthest wall of the room. At the first glance through the dim light and the distance, seeing themselves in precisely their natural attitudes and with all the air that they recognized so well, they uttered a simultaneous exclamation of delight.

"There we stand," cried Walter, enthusiastically, "fixed in sunshine for ever. No dark passions can gather on our faces."

"No," said Elinor, more calmly; "no dreary change can sadden us."

This was said while they were approaching and had yet gained only an imperfect view of the pictures. The painter, after saluting them, busied himself at a table in completing a crayon sketch, leaving his visitors to form their own judgment as to his perfected labors. At intervals he sent a glance from beneath his deep eyebrows, watching their countenances in profile with his pencil suspended over the sketch. They had now stood some moments, each in front of the other's picture, contemplating it with entranced attention, but without uttering a word. At length Walter stepped forward, then back, viewing Elinor's portrait in various lights, and finally spoke.

"Is there not a change?" said he, in a doubtful and meditative tone. "Yes; the perception of it grows more vivid the longer I look. It is certainly the same picture that I saw yesterday; the dress, the features, all are the same, and yet something is altered."

"Is, then, the picture less like than it was yesterday?" inquired the painter, now drawing near with irrepressible interest.

"The features are perfect Elinor," answered Walter, "and at the first glance the expression seemed also hers; but I could fancy that the portrait has changed countenance while I have been looking at it. The eyes are fixed on mine with a strangely sad and anxious expression. Nay, it is grief and terror. Is this like Elinor?"

"Compare the living face with the pictured one," said the painter.

Walter glanced sidelong at his mistress, and started. Motionless and absorbed, fascinated, as it were, in contemplation of Walter's portrait, Elinor's face had assumed precisely the expression of which he had just been complaining. Had she practised for whole hours before a mirror, she could not have caught the look so successfully. Had the picture itself been a mirror, it could not have thrown back her present aspect with stronger and more melancholy truth. She appeared quite unconscious of the dialogue between the artist and her lover.

"Elinor," exclaimed Walter, in amazement, "what change has come over you?"

She did not hear him nor desist from her fixed gaze till he seized her hand, and thus attracted her notice; then with a sudden tremor she looked from the picture to the face of the original.

"Do you see no change in your portrait ?" asked she.

"In mine? None," replied Walter, examining it. "But let me see. Yes; there is a slight change, an improvement, I think, in the picture, though none in the likeness. It has a livelier expression than yesterday, as if some bright thought were flashing from the eyes and about to be uttered from the lips. Now that I have caught the look, it becomes very decided."

While he was intent on these observations Elinor turned to the painter. She regarded him with grief and awe, and felt that he repaid her with sympathy and commiseration, though wherefore she could but vaguely guess.

"That look!" whispered she, and shuddered. "How came it there?"

"Madam," said the painter, sadly, taking her hand and leading her apart, "in both these pictures I have painted what I saw. The artist, the true artist, must look beneath the exterior. It is his gift, his proudest, but often a melancholy one, to see the inmost soul, and by a power indefinable even to himself to make it glow or darken upon the canvas in glances that express the thought and sentiment of years. Would that I might convince myself of error in the present instance!"

They had now approached the table, on which were heads in chalk, hands almost as expressive as ordinary faces, ivied church towers, thatched cottages, old thunder-stricken trees, Oriental and antique costume, and all such picturesque vagaries of an artist's idle moments. Turning them over with seeming carelessness, a crayon sketch of two figures was disclosed.

"If I have failed," continued he - "if your heart does not see itself reflected in your own portrait, if you have no secret cause to trust my delineation of the other, it is not yet too late to alter them. I might change the action of these figures too. But would it influence the event?" He directed her notice to the sketch.

A thrill ran through Elinor's frame; a shriek was upon her lips, but she stifled it with the self-command that becomes habitual to all who hide thoughts of fear and anguish within their bosoms. Turning from the table, she perceived that Walter had advanced near enough to have seen the sketch, though she could not determine whether it had caught his eye.

"We will not have the pictures altered," said she, hastily. "If mine is sad, I shall but look the gayer for the contrast."

"Be it so," answered the painter, bowing. "May your griefs be such fanciful ones that only your pictures may mourn for them! For your joys, may they be true and deep, and paint themselves upon this lovely face till it quite belie my art!"

After the marriage of Walter and Elinor the pictures formed the two most splendid ornaments of their abode. They hung side by side, separated by a narrow panel, appearing to eye each other constantly, yet always returning the gaze of the spectator. Travelled gentlemen who professed a knowledge of such subjects reckoned these among the most admirable specimens of modern portraiture, while common observers compared them with the originals, feature by feature, and were rapturous in praise of the likeness. But it was on a third class neither travelled connoisseurs nor common observers, but people of natural sensibility that the pictures wrought their strongest effect. Such persons might gaze carelessly at first, but, becoming interested, would return day after day and study these painted faces like the pages of a mystic volume. Walter Ludlow's portrait attracted their earliest notice. In the absence of himself and his bride they sometimes disputed as to the expression which the painter had intended to throw upon the features, all agreeing that there was a look of earnest import, though no two explained it alike. There was less diversity of opinion in regard to Elinor's picture. They differed, indeed, in their attempts to estimate the nature and depth of the gloom that dwelt upon her face, but agreed that it was gloom and alien from the natural temperament of their youthful friend. A certain fanciful person announced as the result of much scrutiny that both these pictures were parts of one design, and that the melancholy strength of feeling in Elinor's countenance bore reference to the more vivid emotion or, as he termed it, the wild passion in that of Walter. Though unskilled in the art, he even began a sketch in which the action of the two figures was to correspond with their mutual expression.

It was whispered among friends that day by day Elinor's face was assuming a deeper shade of pensiveness which threatened soon to render her too true a counterpart of her melancholy picture. Walter, on the other hand, instead of acquiring the vivid look which the painter had given him on the canvas, became reserved and downcast, with no outward flashes of emotion, however it might be smouldering within. In course of time Elinor hung a gorgeous curtain of purple silk wrought with flowers and fringed with heavy golden tassels before the pictures, under pretence that the dust would tarnish their hues or the light dim them. It was enough. Her visitors felt that the massive folds of the silk must never be withdrawn nor the portraits mentioned in her presence.

Time wore on, and the painter came again. He had been far enough to the north to see the silver cascade of the Crystal Hills, and to look over the vast round of cloud and forest from the summit of New England's loftiest mountain. But he did not profane that scene by the mockery of his art. He had also lain in a canoe on the bosom of Lake George, making his soul the mirror of its loveliness and grandeur till not a picture in the Vatican was more vivid than his recollection. He had gone with the Indian hunters to Niagara, and there, again, had flung his hopeless pencil down the precipice, feeling that he could as soon paint the roar as aught else that goes to make up the wondrous cataract. In truth, it was seldom his impulse to copy natural scenery except as a framework for the delineations of the human form and face, instinct with thought, passion or suffering. With store of such his adventurous ramble had enriched him. The stern dignity of Indian chiefs, the dusky loveliness of Indian girls, the domestic life of wigwams, the stealthy march, the battle beneath gloomy pine trees, the frontier fortress with its garrison, the anomaly of the old French partisan bred in courts, but grown gray in shaggy deserts, such were the scenes and portraits that he had sketched. The glow of perilous moments, flashes of wild feeling, struggles of fierce power, love, hate, grief, frenzy in a word, all the worn-out heart of the old earth had been revealed to him under a new form. His portfolio was filled with graphic illustrations of the volume of his memory which genius would transmute into its own substance and imbue with immortality. He felt that the deep wisdom in his art which he had sought so far was found.

But amid stern or lovely nature, in the perils of the forest or its overwhelming peacefulness, still there had been two phantoms, the companions of his way. Like all other men around whom an engrossing purpose wreathes itself, he was insulated from the mass of humankind. He had no aim, no pleasure, no sympathies, but what were ultimately connected with his art. Though gentle in manner and upright in intent and action, he did not possess kindly feelings; his heart was cold: no living creature could be brought near enough to keep him warm. For these two beings, however, he had felt in its greatest intensity the sort of interest which always allied him to the subjects of his pencil. He had pried into their souls with his keenest insight and pictured the result upon their features with his utmost skill, so as barely to fall short of that standard which no genius ever reached, his own severe conception. He had caught from the duskiness of the future at least, so he fancied a fearful secret, and had obscurely revealed it on the portraits. So much of himself, of his imagination and all other powers had been lavished on the study of Walter and Elinor that he almost regarded them as creations of his own, like the thousands with which he had peopled the realms of Picture. Therefore did they flit through the twilight of the woods, hover on the mist of waterfalls, look forth from the mirror of the lake, nor melt away in the noontide sun. They haunted his pictorial fancy, not as mockeries of life nor pale goblins of the dead, but in the guise of portraits, each with an unalterable expression which his magic had evoked from the caverns of the soul. He could not recross the Atlantic till he had again beheld the originals of those airy pictures.

"O glorious Art!" Thus mused the enthusiastic painter as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again; thou recallest them to their old scenes and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeting moments of history. With thee there is no past, for at thy touch all that is great becomes for ever present, and illustrious men live through long ages in the visible performance of the very deeds which made them what they are. O potent Art! as thou bringest the faintly-revealed past to stand in that narrow strip of sunlight which we call 'now,' canst thou summon the shrouded future to meet her there? Have I not achieved it? Am I not thy prophet?"

Thus with a proud yet melancholy fervor did he almost cry aloud as he passed through the toilsome street among people that knew not of his reveries nor could understand nor care for them. It is not good for man to cherish a solitary ambition. Unless there be those around him by whose example he may regulate himself, his thoughts, desires and hopes will become extravagant and he the semblance, perhaps the reality, of a madman. Reading other bosoms with an acuteness almost preternatural, the painter failed to see the disorder of his own.

"And this should be the house," said he, looking up and down the front before he knocked. "Heaven help my brains! That picture! Methinks it will never vanish. Whether I look at the windows or the door, there it is framed within them, painted strongly and glowing in the richest tints, the faces of the portraits, the figures and action of the sketch!"

He knocked.

"The portraits are they within?" inquired he of the domestic; then, recollecting himself, "Your master and mistress are they at home?"

"They are, sir," said the servant, adding, as he noticed that picturesque aspect of which the painter could never divest himself, "and the portraits too."

The guest was admitted into a parlor communicating by a central door with an interior room of the same size. As the first apartment was empty, he passed to the entrance of the second, within which his eyes were greeted by those living personages, as well as their pictured representatives, who had long been the objects of so singular an interest. He involuntarily paused on the threshold.

They had not perceived his approach. Walter and Elinor were standing before the portraits, whence the former had just flung back the rich and voluminous folds of the silken curtain, holding its golden tassel with one hand, while the other grasped that of his bride. The pictures, concealed for months, gleamed forth again in undiminished splendor, appearing to throw a sombre light across the room rather than to be disclosed by a borrowed radiance. That of Elinor had been almost prophetic. A pensiveness, and next a gentle sorrow, had successively dwelt upon her countenance, deepening with the lapse of time into a quiet anguish. A mixture of affright would now have made it the very expression of the portrait. Walter's face was moody and dull or animated only by fitful flashes which left a heavier darkness for their momentary illumination. He looked from Elinor to her portrait, and thence to his own, in the contemplation of which he finally stood absorbed.

The painter seemed to hear the step of Destiny approaching behind him on its progress toward its victims. A strange thought darted into his mind. Was not his own the form in which that Destiny had embodied itself, and he a chief agent of the coming evil which he had foreshadowed?

Still, Walter remained silent before the picture, communing with it as with his own heart and abandoning himself to the spell of evil influence that the painter had cast upon the features. Gradually his eyes kindled, while as Elinor watched the increasing wildness of his face her own assumed a look of terror; and when, at last, he turned upon her, the resemblance of both to their portraits was complete.

"Our fate is upon us!" howled Walter. "Die!

Drawing a knife, he sustained her as she was sinking to the ground, and aimed it at her bosom. In the action and in the look and attitude of each the painter beheld the figures of his sketch. The picture, with all its tremendous coloring, was finished.

"Hold, madman!" cried he, sternly.

He had advanced from the door and interposed himself between the wretched beings with the same sense of power to regulate their destiny as to alter a scene upon the canvas. He stood like a magician controlling the phantoms which he had evoked.

"What!" muttered Walter Ludlow as he relapsed from fierce excitement into sullen gloom. "Does Fate impede its own decree?"

"Wretched lady," said the painter, "did I not warn you?"

"You did," replied Elinor, calmly, as her terror gave place to the quiet grief which it had disturbed. "But I loved him."

Is there not a deep moral in the tale? Could the result of one or all our deeds be shadowed forth and set before us, some would call it fate and hurry onward, others be swept along by their passionate desires, and none be turned aside by the prophetic pictures.

Nathaniel Hawthorne (1804 –  1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.

"SMYRNA: FIRST GLIMPSES OF THE EAST" - by William Makepeace Thackeray - from "A Journey from Cornhill to Cairo."

 

"I am glad that the Turkish part of Athens was extinct, so that I should not be baulked of the pleasure of entering an Eastern town by an introduction to any garbled or incomplete specimen of one. Smyrna seems to me the most Eastern of all have seen; as Calais will probably remain to the Englishman, the most French town in the world. The jack-boots of the postilions don't seem so huge elsewhere, or the tight stockings of the maid-servants so Gallic. The churches and the ramparts and the little soldiers on them, remain forever impressed upon your memory; from which larger temples and buildings, and whole armies have subsequently disappeared; and the first words of actual French heard spoken, and the first dinner at 'Quillacq's' remain after twenty years as clear as on the first day. Dear Jones, can't you remember the exact smack of the white hermitage, and the toothless old fellow singing 'Largo al factotum?'"

The first day in the East is like that. After that there is nothing. The wonder is gone, and the thrill of that delightful shock, which so seldom touches the nerves of plain men of the world, though they seek for it everywhere. One such looked out at Smyrna from our steamer and yawned without the least excitement, and did not betray the slightest emotion, as boats with real Turks on board came up to the ship. There lay the town with minarets and cypresses, domes and castles; great guns were firing off, and the blood-red flag of the Sultan flaring over the gulf's edge, and as you looked at them with the telescope, there peered out of the general mass a score of pleasant episodes of Eastern life, there were cottages with quaint roofs; silent cool kioska, where the chief of the eunuchs brings down the ladies of the harem. I saw Hassan, the fisherman, getting his nets; and Ali Baba going off with his donkey to the great forest for wood. Smith looked at these wonders quite unmoved; and I was surprised at his apathy; but he had been at Smyrna before. A man only sees the miracle once: though you yearn after it ever so, it won't come again. I saw nothing of Ali Baba and Hassan the next time we came to Smyrna, and had some doubts (recollecting the badness of the inn) about landing at all. A person who wishes to understand France and the East should come in a yacht to Calais or Smyrna, land for two hours, and never afterward go back again.

But those two hours are beyond measure delightful. Some of us were querulous up to that time and doubted of the wisdom of making the voyage. Lisbon, we owned, was a failure. Athens a dead failure; Malta very well, but not worth the trouble and seasickness; in fact, Baden-Baden or Devonshire would be a better move than this; when Smyrna came and rebuked all mutinous Cockneys into silence. Some men may read this who are in want of a sensation. If they love the odd and picturesque, if they loved the "Arabian Nights" in their youth, let them book themselves on board one of the Peninsular and Oriental vessels and try one dip into Constantinople or Smyrna. Walk into the bazaar and the East is unveiled to you; how often and often have you tried to fancy this, lying out on a summer holiday at school! It is wonderful, too, how like it is; you may imagine that you have been in the place before, you seem to know it so well!

"The beauty of that poetry is, to me, that it was never too handsome; there is no fatigue of sublimity about it. Schacabac and the little Barber play as great a part in it as the heroes; there are no uncomfortable sensations of terror; you may be familiar with the great Afreet, who was going to execute the travelers for killing his son with a date stone. Morgiana, when she kills the Forty Robbers with boiling oil, does not seem to hurt them in the least; and though King Schahrier makes a practice of cutting off his wives' heads, yet you fancy they got them on again in some of the back rooms of the palace, where they are dancing and playing on dulcimers. How fresh, easy, good-natured is all this! How delightful is that notion of the pleasant Eastern people about knowledge, where the height of science is made to consist in the answering of riddles and all the mathematicians and magicians bring their great beards to bear on a conundrum!

"When I got into the bazaar among this race, somehow I felt as if they were all friends. There sat the merchants in their little shops, quiet and solemn, but with friendly looks. There was no smoking, it was the Ramazan; no eating - the fish and meats fizzing in the enormous pots of the cook-shops are only for the Christians. The children abounded; the law is not so stringent upon them, and many wandering merchants were there selling figs (in the name of the Prophet, doubtless), for their benefit, and elbowing onward with baskets of grapes and cucumbers. Countrymen passed bristling over with arms, each with a huge bellyful of pistols and daggers in his girdle; fierce, but not the least dangerous. Wild swarthy Arabs, who had come in with the caravans, walked solemnly about, very different in look and demeanor from the sleek inhabitants of the town. Greeks and Jews squatted and smoked, their shops tended by sallow-faced boys, with large eyes, who smiled and welcomed you in; negroes bustled about in gaudy colors; and women, with black nose-bags and shuffling yellow slippers chattered and bargained at the doors of the little shops. There was the rope quarter and the sweetmeat quarter, and the pipe bazaar and the arm bazaar, and the little turned-up shoe quarter, and the shops where ready-made jackets and pelisses were swinging, and the region where, under the ragged awnings, regiments of tailors were at work. The sun peeps through these awnings of mat or canvas, which are hung over the narrow lanes of the bazaar and ornaments them with a thousand freaks of light and shadow. Cogia Hassan Alhabbal's shop is in a blaze of light; while his neighbor, the barber and coffee-house keeper, has his premises, his low seats and narghilés, his queer pots and basins, in the shade. The cobblers are always good-natured; there was one who, I am sure, has been revealed to me in my dreams, in a dirty old green turban, with a pleasant wrinkled face like an apple; twinkling his little gray eyes as he held them up to the gossips, and smiling under a delightful old gray beard, which did the heart good to see. You divine the conversation between him and the cucumber man, as the Sultan used to understand the language of birds. Are any of those cucumbers stuffed with pearls, and is that Armenian with the black square turban Haroun Alraschid in disguise, standing yonder by the fountain where the children are drinking - the gleaming marble fountain, checked all over with light and shadow, and engraved with delicate Arabesques and sentences from the Koran?

"But the greatest sensation of all is when the camels come. Whole strings of real camels, better even than in the procession of Blue Beard, with soft rolling eyes and bended necks, swaying from one side of the bazaar to the other to and fro, and treading gingerly with their great feet. Oh, you fairy dreams of boyhood! Oh, you sweet meditations of half-holidays, here you are realized for half an hour! The genius which presides over youth led up to do a good action that day. There was a man sitting in an open room ornamented with fine long-tailed sentences of the Koran; some in red, some in blue; some written diagonally over the paper; some so shaped as to represent ships, dragons, or mysterious animals. The man squatted on a carpet in the middle of this room, with folded arms, waggling his head to and fro, swaying about, and singing through his nose choice phrases from the sacred work. But from the room above came a clear voice of many little shouting voices, much more musical than that of Naso in the matted parlor, and the guide told us it was a school, so we went upstairs to look.

"I declare, an my conscience, the master was in the act of bastinadoing a little mulatto boy; his feet were in a bar, and the brute was laying on with a cane; so we witnessed the howling of the poor boy, and the confusion of the brute who was administering the correction. The other children were made to shout, I believe, to drown the noise of their little comrade's howling; but the punishment was instantly discontinued as our hats came up over the stair-trap, and the boy cast loose, and the bamboo huddled into a corner, and the schoolmaster stood before us abashed. All the small scholars in red caps, and the little girls in gaudy handkerchiefs turned their big wondering dark eyes toward us; and the caning was over for that time, let us trust. I don't envy some schoolmasters in a future state. I pity that poor little blubbering Mahometan; he will never be able to relish the 'Arabian Nights' in the original as long as he lives.

"From this scene we rushed off somewhat discomposed to make a breakfast off red mullets and grapes, melons, pomegranates, and Smyrna wine, at a dirty little comfortable inn to which we were recommended; and from the windows of which we had a fine, cheerful view of the gulf and its busy craft, and the loungers and merchants along the shore. There were camels unloading at one wharf, and piles of melons much bigger than the Gibraltar cannon-balls at another. It was the fig season, and we passed through several alleys encumbered with long rows of fig-dressers, children and women for the most part, who were packing the fruit diligently into drums, dipping them in salt water first, and spreading them neatly over with leaves; while the figs and leaves are drying, large white worms crawl out of them and swarm over the decks of the ships which carry them to Europe and to England, where small children eat them with pleasure, I mean the figs, not the worms, and where they are still served at wine parties at the universities. When fresh they are not better than elsewhere; but the melons are of admirable flavor, and so large that Cinderella might almost be accommodated with a coach made of a big one, without any very great distention of its original proportions.

"Our guide, an accomplished swindler, demanded two dollars as the fee for entering the mosque, which others of our party subsequently saw for sixpence, so we did not care to examine that place of worship. But there were other cheaper sights, which were to the full as picturesque, for which there was no call to pay money, or indeed, for a day, scarcely to move at all. I doubt whether a man who would smoke his pipe on a bazaar counter all day, and let the city flow by him, would not be almost as well employed as the most active curiosity hunter.

"To be sure he would not see the women. Those in the bazaar were shabby people for the most part, whose black masks nobody would feel a curiosity to remove. You could see no more of their figure than if they had been stuffed in holsters; and even their feet were brought to a general splay uniformity by the double yellow slippers which the wives of true believers wear. But it is in the Greek and Armenian quarters, and among those poor Christians who were pulling figs, that you see the beauties; and a man of a generous disposition may lose his heart half a dozen times a day in Smyrna. There was the pretty maid at work at a tambour frame in an open porch, with an old duenna spinning by her side, and a goat tied up to the railings of the little court garden; there was the nymph who came down the stair with the pitcher on her head, and gazed with great calm eyes, as large and stately as Juno's; there was the gentle mother, bending over a queer cradle, in which lay a small crying bundle of infancy. All these three charmers were seen in a single street in the Armenian quarter, where the house doors are all open, and the women of the families sit under the arches in the court. There was the fig girl, beautiful beyond all others, with an immense coil of deep black hair twisted round a head of which Raphael was worthy to draw the outline, and Titian to paint the color. I wonder the Sultan has not swept her off, or that the Persian merchants, who come with silks and sweetmeats have not kidnapped her for the Shah of Tehean.

"We went to see the Persian merchants at their khan, and purchased some silks there from a swarthy, black-bearded man with a conical cap of lambswool. Is it not hard to think that silks bought of a man in a lambswool cap, in a caravanseria, brought hither on the backs of camels, should have been manufactured after all at Lyons? Others of our party bought carpets, for which the town is famous; and there was one absolutely laid in a stock of real Smyrna figs, and purchased three or four real Smyrna sponges for his carriage; so strong was his passion for the genuine article.

"I wonder that no painter has given us familiar views of the East; not processions, grand sultans, or magnificent landscapes, but faithful transcripts of everyday Oriental life, such as each street will supply to him. The camels afford endless motives, couched in the market places, lying by thousands in the camel square, snorting and bubbling after their manner, the sun blazing down on their backs, their slaves and keepers lying behind them in the shade; and the Caravan Bridge, above all, would afford a painter subjects for a dozen of pictures. Over this Roman arch, which crosses the Meles river, all the caravans pass on their entrance to the town. On one side, as we sat and looked at it, was a great row of plane trees; on the opposite bank a deep wood of tall cypresses, in the midst of which rose up innumerable gray tombs, surmounted with the turbans of the defunct believers. Beside the stream the view was less gloomy. There was under the plane trees a little coffee house, shaded by a trellis-work, covered over with a vine and ornamented with many rows of shining pots and water pipes, for which there was no use at noonday now, in the time of Ramazan.

"Hard by the coffee house was a garden and a bubbling marble fountain, and over the stream was a broken summerhouse, to which amateurs may ascend for the purpose of examining the river, and all round the plane trees plenty of stools for those who were inclined to sit and drink sweet, thick coffee or cool lemonade made of fresh green citrons. The master of the house, dressed in a white turban and light blue pelisse, lolled under the coffee-house awning; the slave in white with a crimson striped jacket, his face as black as ebony, brought up pipes and lemonade again, and returned to his station at the coffee house, where he curled his black legs together and began singing out of his flat nose to the thrumming of a long guitar with wire string. The instrument was not bigger than a soup ladle, with a long straight handle, but its music pleased the performer, for his eyes rolled shining about, and his head wagged, and he grinned with an innocent intensity of enjoyment that did one good to look at. And there was a friend to share his pleasure; a Turk dressed in scarlet and covered all over with dagger and pistols, sat leaning forward on his little stool, rocking about and grinning quite as eagerly as the black minstrels. As he sang and we listened, figures of women bearing pitchers went passing over the Roman bridge which we saw between the large trunks of the planes; or gray forms of camels were seen stalking across it, the string preceded by the little donkey, who is always here their long-eared conductor.

"These are very humble incidents of travel. Wherever the steamboat touches the shore adventure retreats into the interior, and what is called romance vanishes. It won't bear the vulgar gaze; or rather the light of common day puts it out, and it is only in the dark that it shines at all. There is no cursing and insulting of Giaours now. If a cockney looks or behaves in a particularly ridiculous way, the little Turks come out and laugh at him. A Londoner is no longer a spittoon for true believers; and now that dark Hassan sits in his divan and drinks champagne, and Selim has a French watch, and Zuleika perhaps takes Morrison's pills, Byronism becomes absurd instead of sublime, and is only a foolish expression of cockney wonder. They still occasionally beat a man for going into a mosque, but this is almost the only sign of ferocious vitality left in the Turk of the Mediterranean coast, and strangers may enter scores of mosques without molestation. The paddlewheel is the great conqueror. Wherever the captain cries 'Stop her!' civilization stops, and lands in the ship's boat, and makes a permanent acquaintance with the savages on shore. Whole hosts of crusaders have passed and died and butchered here in vain. But to manufacture European iron into pikes and helmets was a waste of metal; in the shape of piston rods and furnace pokers it is irresistible; and I think an allegory might be made showing how much stronger commerce is than chivalry, and finishing with a grand image of Mahomet's crescent being extinguished in Fulton's boiler.

"This I thought was the moral of the day's sights and adventures. We pulled off the steamer in the afternoon, the Inbat blowing fresh and setting all the craft in the gulf dancing over its blue waters. We were presently under weigh again, the captain ordering his engines to work only at half power, so that a French steamer which was quitting Smyrna at the same time might come up with us and fancy she could beat the irresistible Tagus. Vain hope! Just as the Frenchman neared us, the Tagus shot out like an arrow and the discomfited Frenchman went behind. Though we all relished the joke exceedingly, there was a French gentleman on board who did not seem to be by any means tickled with it; but he had received papers at Smyrna containing news of Marshal Bugeaud's victory at Isley and had this land victory to set against our harmless little triumph at sea.

"That night we rounded the Island of Mitylene, and next day the coast of Troy was in sight, and the tomb of Achilles, a dismal-looking mound that rises on a low, dreary, barren shore, less lively and not more picturesque than the Schelot or the mouth of the Thames. Then we passed Tenedos and the forts and town at the mouth of the Dardanelles. The weather was not too hot, the water as smooth as at Putney, and everybody happy and excited at the thought of seeing Constantinople tomorrow. We had music on board all the way from Smyrna. A German commis voyageur, with a guitar, who had passed unnoticed until that time, produced his instrument about midday and began to whistle waltzes. He whistled so divinely that the ladies left their cabins and men laid down their books. He whistled a polka so bewitchingly that two young Oxford men began whirling round the deck and performed that popular dance with much agility until they sank down tired. He still continued an unabated whistling, and as nobody would dance, pulled off his coat, produced a pair of castanets and whistling a mazurka, performed it with tremendous agility. His whistling made everybody gay and happy, made those acquainted who had not spoken before, and inspired such a feeling of hilarity in the ship that that night, as we floated over the Sea of Marmora, a general vote was expressed for broiled bones and a regular supper party. Punch was brewed and speeches were made, and, after a lapse of fifteen years, I heard the 'Old English Gentleman' and 'Bright Chanticleer Proclaims the Morn,' sung in such style that you would almost fancy the proctors must hear and send us all home."

Note : The modern name of the city is Izmir.

SOLANGE - DR. LEDRU’S STORY OF THE REIGN OF TERROR - by Alexandre Dumas

 

Leaving l’Abbaye, I walked straight across the Place Turenne to the Rue Tournon, where I had lodgings, when I heard a woman scream for help.

It could not be an assault to commit robbery, for it was hardly ten o’clock in the evening. I ran to the corner of the place whence the sounds proceeded, and by the light of the moon, just then breaking through the clouds, I beheld a woman in the midst of a patrol of sans-culottes.

The lady observed me at the same instant, and seeing, by the character of my dress, that I did not belong to the common order of people, she ran toward me, exclaiming:

“There is M. Albert! He knows me! He will tell you that I am the daughter of Mme. Ledieu, the laundress.”

With these words the poor creature, pale and trembling with excitement, seized my arm and clung to me as a shipwrecked sailor to a spar.

“No matter whether you are the daughter of Mme. Ledieu or some one else, as you have no pass, you must go with us to the guard-house.”

The young girl pressed my arm. I perceived in this pressure the expression of her great distress of mind. I understood it.

“So it is you, my poor Solange?” I said. “What are you doing here?”

“There, messieurs!” she exclaimed in tones of deep anxiety; “do you believe me now?”

“You might at least say ‘citizens!’”

“Ah, sergeant, do not blame me for speaking that way,” said the pretty young girl; “my mother has many customers among the great people, and taught me to be polite. That’s how I acquired this bad habit—the habit of the aristocrats; and, you know, sergeant, it’s so hard to shake off old habits!”

This answer, delivered in trembling accents, concealed a delicate irony that was lost on all save me. I asked myself, who is this young woman? The mystery seemed complete. This alone was clear; she was not the daughter of a laundress.

“How did I come here, Citizen Albert?” she asked. “Well, I will tell you. I went to deliver some washing. The lady was not at home, and so I waited; for in these hard times every one needs what little money is coming to him. In that way it grew dark, and so I fell among these gentlemen—beg pardon, I would say citizens. They asked for my pass. As I did not have it with me, they were going to take me to the guard-house. I cried out in terror, which brought you to the scene; and as luck would have it, you are a friend. I said to myself, as M. Albert knows my name to be Solange Ledieu, he will vouch for me; and that you will, will you not, M. Albert?”

“Certainly, I will vouch for you.”

“Very well,” said the leader of the patrol; “and who, pray, will vouch for you, my friend?”

“Danton! Do you know him? Is he a good patriot?”

“Oh, if Danton will vouch for you, I have nothing to say.”

“Well, there is a session of the Cordeliers to-day. Let us go there.”

“Good,” said the leader. “Citizens, let us go to the Cordeliers.”

The club of the Cordeliers met at the old Cordelier monastery in the Rue l’Observance. We arrived there after scarce a minute’s walk. At the door I tore a page from my note-book, wrote a few words upon it with a lead pencil, gave it to the sergeant, and requested him to hand it to Danton, while I waited outside with the men.

The sergeant entered the clubhouse and returned with Danton.

“What!” said he to me; “they have arrested you, my friend? You, the friend of Camilles—you, one of the most loyal republicans? Citizens,” he continued, addressing the sergeant, “I vouch for him. Is that sufficient?”

“You vouch for him. Do you also vouch for her?” asked the stubborn sergeant.

“For her? To whom do you refer?”

“This girl.”

“For everything; for everybody who may be in his company. Does that satisfy you?”

“Yes,” said the man; “especially since I have had the privilege of seeing you.”

With a cheer for Danton, the patrol marched away. I was about to thank Danton, when his name was called repeatedly within.

“Pardon me, my friend,” he said; “you hear? There is my hand; I must leave you—the left. I gave my right to the sergeant. Who knows, the good patriot may have scrofula?”

“I’m coming!” he exclaimed, addressing those within in his mighty voice with which he could pacify or arouse the masses. He hastened into the house.

I remained standing at the door, alone with my unknown.

“And now, my lady,” I said, “whither would you have me escort you? I am at your disposal.”

“Why, to Mme. Ledieu,” she said with a laugh. “I told you she was my mother.”

“And where does Mme. Ledieu reside?”

“Rue Ferou, 24.”

“Then, let us proceed to Rue Ferou, 24.”

On the way neither of us spoke a word. But by the light of the moon, enthroned in serene glory in the sky, I was able to observe her at my leisure. She was a charming girl of twenty or twenty-two—brunette, with large blue eyes, more expressive of intelligence than melancholy—a finely chiseled nose, mocking lips, teeth of pearl, hands like a queen’s, and feet like a child’s; and all these, in spite of her costume of a laundress, betokened an aristocratic air that had aroused the sergeant’s suspicions not without justice.

Arrived at the door of the house, we looked at each other a moment in silence.

“Well, my dear M. Albert, what do you wish?” my fair unknown asked with a smile.

“I was about to say, my dear Mlle. Solange, that it was hardly worth while to meet if we are to part so soon.”

“Oh, I beg ten thousand pardons! I find it was well worth the while; for if I had not met you, I should have been dragged to the guard-house, and there it would have been discovered that I am not the daughter of Mme. Ledieu—in fact, it would have developed that I am an aristocrat, and in all likelihood they would have cut off my head.”

“You admit, then, that you are an aristocrat?”

“I admit nothing.”

“At least you might tell me your name.”

“Solange.”

“I know very well that this name, which I gave you on the inspiration of the moment, is not your right name.”

“No matter; I like it, and I am going to keep it—at least for you.”

“Why should you keep it for me? if we are not to meet again?”

“I did not say that. I only said that if we should meet again it will not be necessary for you to know my name any more than that I should know yours. To me you will be known as Albert, and to you I shall always be Solange.”

“So be it, then; but I say, Solange,” I began.

“I am listening, Albert,” she replied.

“You are an aristocrat—that you admit.”

“If I did not admit it, you would surmise it, and so my admission would be divested of half its merit.”

“And you were pursued because you were suspected of being an aristocrat?”

“I fear so.”

“And you are hiding to escape persecution?”

“In the Rue Ferou, No. 24, with Mme. Ledieu, whose husband was my father’s coachman. You see, I have no secret from you.”

“And your father?”

“I shall make no concealment, my dear Albert, of anything that relates to me. But my fathers secrets are not my own. My father is in hiding, hoping to make his escape. That is all I can tell you.”

“And what are you going to do?”

“Go with my father, if that be possible. If not, allow him to depart without me until the opportunity offers itself to me to join him.”

“Were you coming from your father when the guard arrested you to-night?”

“Yes.”

“Listen, dearest Solange.”

“I am all attention.”

“You observed all that took place to-night?”

“Yes. I saw that you had powerful influence.”

“I regret my power is not very great. However, I have friends.”

“I made the acquaintance of one of them.”

“And you know he is not one of the least powerful men of the times.”

“Do you intend to enlist his influence to enable my father to escape?”

“No, I reserve him for you.”

“But my father?”

“I have other ways of helping your father.”

“Other ways?” exclaimed Solange, seizing my hands and studying me with an anxious expression.

“If I serve your father, will you then sometimes think kindly of me?”

“Oh, I shall all my life hold you in grateful remembrance!”

She uttered these words with an enchanting expression of devotion. Then she looked at me beseechingly and said:

“But will that satisfy you?”

“Yes,” I said.

“Ah, I was not mistaken. You are kind, generous. I thank you for my father and myself. Even if you should fail, I shall be grateful for what you have already done!”

“When shall we meet again, Solange?”

“When do you think it necessary to see me again?”

“To-morrow, when I hope to have good news for you.”

“Well, then, to-morrow.”

“Where?”

“Here.”

“Here in the street?”

“Well, mon Dieu!” she exclaimed. “You see, it is the safest place. For thirty minutes, while we have been talking here, not a soul has passed.”

“Why may I not go to you, or you come to me?”

“Because it would compromise the good people if you should come to me, and you would incur serious risk if I should go to you.”

“Oh, I would give you the pass of one of my relatives.”

“And send your relative to the guillotine if I should be accidentally arrested!”

“True. I will bring you a pass made out in the name of Solange.”

“Charming! You observe Solange is my real name.”

“And the hour?”

“The same at which we met to-night—ten o’clock, if you please.”

“All right; ten o’clock. And how shall we meet?”

“That is very simple. Be at the door at five minutes of ten, and at ten I will come down.”

“Then, at ten to-morrow, dear Solange.”

“To-morrow at ten, dear Albert.”

I wanted to kiss her hand; she offered me her brow.

The next day I was in the street at half past nine. At a quarter of ten Solange opened the door. We were both ahead of time.

With one leap I was by her side.

“I see you have good news,” she said.

“Excellent! First, here is a pass for you.”

“First my father!”

She repelled my hand.

“Your father is saved, if he wishes.”

“Wishes, you say? What is required of him?”

“He must trust me.”

“That is assured.”

“Have you seen him?”

“Yes.”

“You have discussed the situation with him?”

“It was unavoidable. Heaven will help us.”

“Did you tell your father all?”

“I told him you had saved my life yesterday, and that you would perhaps save his to-morrow.”

“To-morrow! Yes, quite right; to-morrow I shall save his life, if it is his will.”

“How? What? Speak! Speak! If that were possible, how fortunately all things have come to pass!”

“However—” I began hesitatingly.

“Well?”

“It will be impossible for you to accompany him.”

“I told you I was resolute.”

“I am quite confident, however, that I shall be able later to procure a passport for you.”

“First tell me about my father; my own distress is less important.”

“Well, I told you I had friends, did I not?”

“Yes.”

“To-day I sought out one of them.”

“Proceed.”

“A man whose name is familiar to you; whose name is a guarantee of courage and honor.”

“And this man is?”

“Marceau.”

“General Marceau?”

“Yes.”

“True, he will keep a promise.”

“Well, he has promised.”

“Mon Dieu! How happy you make me! What has he promised? Tell me all.”

“He has promised to help us.”

“In what manner?”

“In a very simple manner. Kléber has just had him promoted to the command of the western army. He departs to-morrow night.”

“To-morrow night! We shall have no time to make the smallest preparation.”

“There are no preparations to make.”

“I do not understand.”

“He will take your father with him.”

“My father?”

“Yes, as his secretary. Arrived in the Vendée, your father will pledge his word to the general to undertake nothing against France. From there he will escape to Brittany, and from Brittany to England. When he arrives in London, he will inform you; I shall obtain a passport for you, and you will join him in London.”

“To-morrow,” exclaimed Solange; “my father departs tomorrow!”

“There is no time to waste.”

“My father has not been informed.”

“Inform him.”

“To-night?”

“To-night.”

“But how, at this hour?”

“You have a pass and my arm.”

“True. My pass.”

I gave it to her. She thrust it into her bosom.

“Now? your arm?”

I gave her my arm, and we walked away. When we arrived at the Place Turenne—that is, the spot where we had met the night before—she said: “Await me here.”

I bowed and waited.

She disappeared around the corner of what was formerly the Hôtel Malignon. After a lapse of fifteen minutes she returned.

“Come,” she said, “my father wishes to receive and thank you.”

She took my arm and led me up to the Rue St. Guillaume, opposite the Hôtel Mortemart. Arrived here, she took a bunch of keys from her pocket, opened a small, concealed door, took me by the hand, conducted me up two flights of steps, and knocked in a peculiar manner.

A man of forty-eight or fifty years opened the door. He was dressed as a working man and appeared to be a bookbinder. But at the first utterance that burst from his lips, the evidence of the seigneur was unmistakable.

“Monsieur,” he said, “Providence has sent you to us. I regard you an emissary of fate. Is it true that you can save me, or, what is more, that you wish to save me?”

I admitted him completely to my confidence. I informed him that Marceau would take him as his secretary, and would exact no promise other than that he would not take up arms against France.

“I cheerfully promise it now, and will repeat it to him.”

“I thank you in his name as well as in my own.”

“But when does Marceau depart?”

“To-morrow.”

“Shall I go to him to-night?”

“Whenever you please; he expects you.”

Father and daughter looked at each other.

“I think it would be wise to go this very night,” said Solange.

“I am ready; but if I should be arrested, seeing that I have no permit?”

“Here is mine.”

“But you?”

“Oh, I am known.”

“Where does Marceau reside?”

“Rue de l’Université, 40, with his sister, Mlle. Dégraviers-Marceau.”

“Will you accompany me?”

“I shall follow you at a distance, to accompany mademoiselle home when you are gone.”

“How will Marceau know that I am the man of whom you spoke to him?”

“You will hand him this tri-colored cockade; that is the sign of identification.”

“And how shall I reward my liberator?”

“By allowing him to save your daughter also.”

“Very well.”

He put on his hat and extinguished the lights, and we descended by the gleam of the moon which penetrated the stair-windows.

At the foot of the steps he took his daughter’s arm, and by way of the Rue des Saints Pères we reached Rue de l’Université. I followed them at a distance of ten paces. We arrived at No. 40 without having met any one. I rejoined them there.

“That is a good omen,” I said; “do you wish me to go up with you?”

“No. Do not compromise yourself any further. Await my daughter here.”

I bowed.

“And now, once more, thanks and farewell,” he said, giving me his hand. “Language has no words to express my gratitude. I pray that heaven may some day grant me the opportunity of giving fuller expression to my feelings.”

I answered him with a pressure of the hand.

He entered the house. Solange followed him; but she, too, pressed my hand before she entered.

In ten minutes the door was reopened.

“Well?” I asked.

“Your friend,” she said, “is worthy of his name; he is as kind and considerate as yourself. He knows that it will contribute to my happiness to remain with my father until the moment of departure. His sister has ordered a bed placed in her room. To-morrow at three o’clock my father will be out of danger. To-morrow evening at ten I shall expect you in the Rue Ferou, if the gratitude of a daughter who owes her father’s life to you is worth the trouble.”

“Oh, be sure I shall come. Did your father charge you with any message for me?”

“He thanks you for your pass, which he returns to you, and begs you to join him as soon as possible.”

“Whenever it may be your desire to go,” I said, with a strange sensation at my heart.

“At least, I must know where I am to join him,” she said. “Ah, you are not yet rid of me!”

I seized her hand and pressed it against my heart, but she offered me her brow, as on the previous evening, and said: “Until to-morrow.”

I kissed her on the brow; but now I no longer strained her hand against my breast, but her heaving bosom, her throbbing heart.

I went home in a state of delirious ecstasy such as I had never experienced. Was it the consciousness of a generous action, or was it love for this adorable creature? I know not whether I slept or woke. I only know that all the harmonies of nature were singing within me; that the night seemed endless, and the day eternal; I know that though I wished to speed the time, I did not wish to lose a moment of the days still to come.

The next day I was in the Rue Ferou at nine o’clock. At half-past nine Solange made her appearance.

She approached me and threw her arms around my neck.

“Saved!” she said; “my father is saved! And this I owe you. Oh, how I love you!”

Two weeks later Solange received a letter announcing her father’s safe arrival in England.

The next day I brought her a passport.

When Solange received it she burst into tears.

“You do not love me!” she exclaimed.

“I love you better than my life,” I replied; “but I pledged your father my word, and I must keep it.”

“Then, I will break mine,” she said. “Yes, Albert; if you have the heart to let me go, I have not the courage to leave you.”

Alas, she remained!

Three months had passed since that night on which we talked of her escape, and in all that time not a word of parting had passed her lips.

Solange had taken lodgings in the Rue Turenne. I had rented them in her name. I knew no other, while she always addressed me as Albert. I had found her a place as teacher in a young ladies’ seminary solely to withdraw her from the espionage of the revolutionary police, which had become more scrutinizing than ever.

Sundays we passed together in the small dwelling, from the bedroom of which we could see the spot where we had first met. We exchanged letters daily, she writing to me under the name of Solange, and I to her under that of Albert.

Those three months were the happiest of my life.

In the meantime I was making some interesting experiments suggested by one of the guillotiniers. I had obtained permission to make certain scientific tests with the bodies and heads of those who perished on the scaffold. Sad to say, available subjects were not wanting. Not a day passed but thirty or forty persons were guillotined, and blood flowed so copiously on the Place de la Révolution that it became necessary to dig a trench three feet deep around the scaffolding. This trench was covered with deals. One of them loosened under the feet of an eight-year-old lad, who fell into the abominable pit and was drowned.

For self-evident reasons I said nothing to Solange of the studies that occupied my attention during the day. In the beginning my occupation had inspired me with pity and loathing, but as time wore on I said: “These studies are for the good of humanity,” for I hoped to convince the lawmakers of the wisdom of abolishing capital punishment.

The Cemetery of Clamart had been assigned to me, and all the heads and trunks of the victims of the executioner had been placed at my disposal. A small chapel in one corner of the cemetery had been converted into a kind of laboratory for my benefit. You know, when the queens were driven from the palaces, God was banished from the churches.

Every day at six the horrible procession filed in. The bodies were heaped together in a wagon, the heads in a sack. I chose some bodies and heads in a haphazard fashion, while the remainder were thrown into a common grave.

In the midst of this occupation with the dead, my love for Solange increased from day to day; while the poor child reciprocated my affection with the whole power of her pure soul.

Often I had thought of making her my wife; often we had mutually pictured to ourselves the happiness of such a union. But in order to become my wife, it would be necessary for Solange to reveal her name; and this name, which was that of an emigrant, an aristocrat, meant death.

Her father had repeatedly urged her by letter to hasten her departure, but she had informed him of our engagement. She had requested his consent, and he had given it, so that all had gone well to this extent.

The trial and execution of the queen, Marie Antoinette, had plunged me, too, into deepest sadness. Solange was all tears, and we could not rid ourselves of a strange feeling of despondency, a presentiment of approaching danger, that compressed our hearts. In vain I tried to whisper courage to Solange. Weeping, she reclined in my arms, and I could not comfort her, because my own words lacked the ring of confidence.

We passed the night together as usual, but the night was even more depressing than the day. I recall now that a dog, locked up in a room below us, howled till two o’clock in the morning. The next day we were told that the dog’s master had gone away with the key in his pocket, had been arrested on the way, tried at three, and executed at four.

The time had come for us to part. Solange’s duties at the school began at nine o’clock in the morning. Her school was in the vicinity of the Botanic Gardens. I hesitated long to let her go; she, too, was loath to part from me. But it must be. Solange was prone to be an object of unpleasant inquiries.

I called a conveyance and Accompanied her as far as the Rue des Fosses-Saint-Bernard, where I got out and left her to pursue her way alone. All the way we lay mutely wrapped in each other’s arms, mingling tears with our kisses.

After leaving the carriage, I stood as if rooted to the ground. I heard Solange call me, but I dared not go to her, because her face, moist with tears, and her hysterical manner were calculated to attract attention.

Utterly wretched, I returned home, passing the entire day in writing to Solange. In the evening I sent her an entire volume of love-pledges.

My letter had hardly gone to the post when I received one from her.

She had been sharply reprimanded for coming late; had been subjected to a severe cross-examination, and threatened with forfeiture of her next holiday. But she vowed to join me even at the cost of her place. I thought I should go mad at the prospect of being parted from her a whole week. I was more depressed because a letter which had arrived from her father appeared to have been tampered with.

I passed a wretched night and a still more miserable day.

The next day the weather was appalling. Nature seemed to be dissolving in a cold, ceaseless rain—a rain like that which announces the approach of winter. All the way to the laboratory my ears were tortured with the criers announcing the names of the condemned, a large number of men, women, and children. The bloody harvest was over-rich. I should not lack subjects for my investigations that day.

The day ended early. At four o’clock I arrived at Clamart; it was almost night.

The view of the cemetery, with its large, new-made graves; the sparse, leafless trees that swayed in the wind, was desolate, almost appalling.

A large, open pit yawned before me. It was to receive to-day’s harvest from the Place de la Révolution. An exceedingly large number of victims was expected, for the pit was deeper than usual.

Mechanically I approached the grave. At the bottom the water had gathered in a pool; my feet slipped; I came within an inch of falling in. My hair stood on end. The rain had drenched me to the skin. I shuddered and hastened into the laboratory.

It was, as I have said, an abandoned chapel. My eyes searched—I know not why—to discover if some traces of the holy purpose to which the edifice had once been devoted did not still adhere to the walls or to the altar; but the walls were bare, the altar empty.

I struck a light and deposited the candle on the operating-table on which lay scattered a miscellaneous assortment of the strange instruments I employed. I sat down and fell into a reverie. I thought of the poor queen, whom I had seen in her beauty, glory, and happiness, yesterday carted to the scaffold, pursued by the execrations of a people, to-day lying headless on the common sinners’ bier—she who had slept beneath the gilded canopy of the throne of the Tuileries and St. Cloud.

As I sat thus, absorbed in gloomy meditation, wind and rain without redoubled in fury. The rain-drops dashed against the window-panes, the storm swept with melancholy moaning through the branches of the trees. Anon there mingled with the violence of the elements the sound of wheels.

It was the executioner’s red hearse with its ghastly freight from the Place de la Révolution.

The door of the little chapel was pushed ajar, and two men, drenched with rain, entered, carrying a sack between them.

“There, M. Ledru,” said the guillotinier; “there is what your heart longs for! Be in no hurry this night! We’ll leave you to enjoy their society alone. Orders are not to cover them up till to-morrow, and so they’ll not take cold.”

With a horrible laugh, the two executioners deposited the sack in a corner, near the former altar, right in front of me. Thereupon they sauntered out, leaving open the door, which swung furiously on its hinges till my candle flashed and flared in the fierce draft.

I heard them unharness the horse, lock the cemetery, and go away.

I was strangely impelled to go with them, but an indefinable power fettered me in my place. I could not repress a shudder. I had no fear; but the violence of the storm, the splashing of the rain, the whistling sounds of the lashing branches, the shrill vibration of the atmosphere, which made my candle tremble—all this filled me with a vague terror that began at the roots of my hair and communicated itself to every part of my body.

Suddenly I fancied I heard a voice! A voice at once soft and plaintive; a voice within the chapel, pronouncing the name of “Albert!”

I was startled.

“Albert!”

But one person in all the world addressed me by that name!

Slowly I directed my weeping eyes around the chapel, which, though small, was not completely lighted by the feeble rays of the candle, leaving the nooks and angles in darkness, and my look remained fixed on the blood-soaked sack near the altar with its hideous contents.

At this moment the same voice repeated the same name, only it sounded fainter and more plaintive.

“Albert!”

I bolted out of my chair, frozen with horror.

The voice seemed to proceed from the sack!

I touched myself to make sure that I was awake; then I walked toward the sack with my arms extended before me, but stark and staring with horror. I thrust my hand into it. Then it seemed to me as if two lips, still warm, pressed a kiss upon my fingers!

I had reached that stage of boundless terror where the excess of fear turns into the audacity of despair. I seized the head and collapsing in my chair, placed it in front of me.

Then I gave vent to a fearful scream. This head, with its lips still warm, with the eyes half closed, was the head of Solange!

I thought I should go mad.

Three times I called:

“Solange! Solange! Solange!”

At the third time she opened her eyes and looked at me. Tears trickled down her cheeks; then a moist glow darted from her eyes, as if the soul were passing, and the eyes closed, never to open again.

I sprang to my feet a raving maniac, I wanted to fly; I knocked against the table; it fell. The candle was extinguished; the head rolled upon the floor, and I fell prostrate, as if a terrible fever had stricken me down, an icy-shudder convulsed me, and, with a deep sigh, I swooned.

The following morning at six the grave-diggers found me, cold as the flagstones on which I lay.

Solange, betrayed by her father’s letter, had been arrested the same day, condemned, and executed.

The head that had called me, the eyes that had looked at me, were the head, the eyes, of Solange!