Leonid Andreyev 1871 - 1919
He became police-court reporter for a Moscow daily, performing the routine of his humble calling without attracting any particular attention. At this time he wrote poetry and made a few efforts to publish it but was refused by most publishers.
In 1898 his first short story, "Bargamot and Garaska" ("Баргамот и Гараська"), was published in the "Kurier" newspaper in Moscow. This story came to the attention of Maxim Gorky who recommended that Andreyev concentrate on his literary work.
Andreyev eventually gave up his law practice, fast becoming a literary celebrity, and the two writers remained friends for many years to come. Through Gorky, Andreyev became a member of the Moscow Sreda literary group, and published many of his works in Gorky's Znanie collections.
Andreyev's first collection of short stories and short novels (повести) appeared in 1901, quickly selling a quarter-million copies and making him a literary star in Russia.
In 1901 he published "Стена" ("The Wall"), 1902, he published "В тумане" ("In the Fog") and "Бездна" ("The Abyss,") which was a response to "The Kreutzer Sonata" by Leo Tolstoy.
These last two stories caused great commotion because of their candid and audacious treatment of sex. In the years between 1898 and 1905 Andreyev published numerous short stories on many subjects, including life in Russian provincial settings, court and prison incidents (where he drew on material from his professional life), and medical settings. His particular interest in psychology and psychiatry gave him an opportunity to explore insights into the human psyche and to depict memorable personalities who later became classic characters of Russian literature ("Thought" 1902).
During the time of the first Russian revolution Andreyev actively participated in the social and political debate as a defender of democratic ideals. Several of his stories, including "The Red Laugh" ("Красный смех" (1904), Governor ("Губернатор") (1905) and ”The Seven Who Were Hanged ("Рассказ о семи повешенных") (1908) captured the spirit of this period. Starting from 1905 he also produced many theater dramas including The Life of Man (1906), Tsar Hunger (1907), Black Masks (1908), Anathema (1909), and The Days of Our Life (1909).The Life of Man was staged by both Stanislavski (with his Moscow Art Theatre) and Meyerhold(in Saint Petersburg), the two main highlights of Russian theatre of the twentieth century, in 1907.
Andreyev's works of the period after the revolution often represent the evocation of absolute pessimism and a despairing mood. By the beginning of the second decade of the century he began losing fame as new literary powers such as the Futurists were fast arising.
Aside from his political writings, Andreyev published little after 1914. In 1916, he became the editor of the literary section of the newspaper "Russian Will." He later supported the February Revolution, but foresaw the Bolshevik's coming to power as catastrophic. In 1917, he moved to Finland. From his house in Finland he addressed manifestos to the world at large against the excesses of the Bolsheviks.
Idealist and rebel, Andreyev spent his last years in bitter poverty, and his premature death from heart failure may have been hastened by his anguish over the results of the Bolshevik Revolution. His last novel was Satan's Diary, but he died before he finished it.
A play, The Sorrows of Belgium, was written at the beginning of the War to celebrate the heroism of the Belgians against the invading German army. It was produced in the United States, as were the plays, The Life of Man (1917), The Rape of the Sabine Women (1922), He Who Gets Slapped (1922), and Anathema (1923). A popular and acclaimed film version of He Who Gets Slapped was produced by MGM Studios in 1924.
Some of his works were translated into English by Thomas Seltzer.
Poor Murderer, an adaptation of his short story Thought made by Pavel Kohout, opened on Broadway in 1976.
http://en.wikipedia.org/wiki/Leonid_Andreyev
http://www.artfinding.com/Auction/Leonid-ANDREYEV-Autoportait-the-stove/65633.html
LOVE, FAITH AND HOPE
He
loved.
According to his passport,
he was called Max Z. But as it was stated in the same passport that
he had no special peculiarities about his features, I prefer to call
him Mr. N+1. He represented a long line of young men who possess
wavy, dishevelled locks, straight, bold, and open looks, well-formed
and strong bodies, and very large and powerful hearts.All these youths have loved and perpetuated their love. Some of them have succeeded in engraving it on the tablets of history, like Henry IV; others, like Petrarch, have made literary preserves of it; some have availed themselves for that purpose of the newspapers, wherein the happenings of the day are recorded, and where they figured among those who had strangled themselves, shot themselves, or who had been shot by others; still others, the happiest and most modest of all, perpetuated their love by entering it in the birth records--by creating posterity.
The love of N+1 was as strong as death, as a certain writer put it; as strong as life, he thought.
Max was firmly convinced that he was the first to have discovered the method of loving so intensely, so unrestrainedly, so passionately, and he regarded with contempt all who had loved before him. Still more, he was convinced that even after him no one would love as he did, and he felt sorry that with his death the secret of true love would be lost to mankind. But, being a modest young man, he attributed part of his achievement to her to his beloved. Not that she was perfection itself, but she came very close to it, as close as an ideal can come to reality.
There were prettier women than she, there were wiser women, but was there ever a better woman ? Did there ever exist a woman on whose face was so clearly and distinctly written that she alone was worthy of love of infinite, pure, and devoted love? Max knew that there never were, and that there never would be such women. In this respect, he had no special peculiarities, just as Adam did not have them, just as you, my reader, do not have them. Beginning with Grandmother Eve and ending with the woman upon whom your eyes were directed before you read these lines the same inscription is to be clearly and distinctly read on the face of every woman at a certain time. The difference is only in the quality of the ink.
A very nasty day set in it was Monday or Tuesday when Max noticed with a feeling of great terror that the inscription upon the dear face was fading. Max rubbed his eyes, looked first from a distance, then from all sides; but the fact was undeniable the inscription was fading. Soon the last letter also disappeared, the face was white like the recently whitewashed wall of a new house. But he was convinced that the inscription had disappeared not of itself, but that some one had wiped it off. Who ?
Max went to his friend, John N. He knew and he felt sure that such a true, disinterested, and honest friend there never was and never would be. And in this respect, too, as you see, Max had no special peculiarities. He went to his friend for the purpose of taking his advice concerning the mysterious disappearance of the inscription, and found John N. exactly at the moment when he was wiping away that inscription by his kisses. It was then that the records of the local occurrences were enriched by another unfortunate incident, entitled "An Attempt at Suicide."
*
It is said that death always comes in due time. Evidently, that time had not yet arrived for Max, for he remained alive, that is, he ate, drank, walked, borrowed money and did not return it, and altogether he showed by a series of psycho-physiological acts that he was a living being, possessing a stomach, a will, and a mind but his soul was dead, or, to be more exact, it was absorbed in lethargic sleep. The sound of human speech reached his ears, his eyes saw tears and laughter, but all that did not stir a single echo, a single emotion in his soul. I do not know what space of time had elapsed. It may have been one year, and it may have been ten years, for the length of such intermissions in life depends on how quickly the actor succeeds in changing his costume.
One beautiful day, it was Wednesday or Thursday, Max awakened completely. A careful and guarded liquidation of his spiritual property made it clear that a fair piece of Max's soul, the part which contained his love for woman and for his friends, was dead, like a paralysis-stricken hand or foot. But what remained was, nevertheless, enough for life. That was love for and faith in mankind. Then Max, having renounced personal happiness, started to work for the happiness of others.
That was a new phase, he believed.
All the evil that is tormenting the world seemed to him to be concentrated in a "red flower," in one red flower. It was but necessary to tear it down, and the incessant, heart-rending cries and moans which rise to the indifferent sky from all points of the earth, like its natural breathing, would be silenced. The evil of the world, he believed, lay in the evil will and in the madness of the people. They themselves were to blame for being unhappy, and they could be happy if they wished. This seemed so clear and simple that Max was dumfounded in his amazement at human stupidity. Humanity reminded him of a crowd huddled together in a spacious temple and panic-stricken at the cry of "Fire !"
Instead of passing calmly through the wide doors and saving themselves, the maddened people, with the cruelty of frenzied beasts, cry and roar, crush one another and perish, not from the fire (for it is only imaginary), but from their own madness. It is enough sometimes when one sensible, firm word is uttered to this crowd, the crowd calms down and imminent death is thus averted. Let, then, a hundred calm, rational voices be raised to mankind, showing them where to escape and where the danger lies and heaven will be established on earth, if not immediately, then at least within a very brief time.
Max began to utter his word of wisdom. How he uttered it you will learn later. The name of Max was mentioned in the newspapers, shouted in the market places, blessed and cursed; whole books were written on what Max N+1 had done, what he was doing, and what he intended to do. He appeared here and there and everywhere. He was seen standing at the head of the crowd, commanding it; he was seen in chains and under the knife of the guillotine. In this respect Max did not have any special peculiarities, either. A preacher of humility and peace, a stern bearer of fire and sword, he was the same Max, Max the believer. But while he was doing all this, time kept passing on. His nerves were shattered; his wavy locks became thin and his head began to look like that of Elijah the Prophet; here and there he felt a piercing pain....
The earth continued to turn light-mindedly around the sun, now coming nearer to it, now retreating coquettishly, and giving the impression that it fixed all its attention upon its household friend, the moon; the days were replaced by other days, and the dark nights by other dark nights, with such pedantic German punctuality and correctness that all the artistic natures were compelled to move over to the far north by degrees, where the devil himself would break his head endeavouring to distinguish between day and night when suddenly something happened to Max.
Somehow it happened that Max became misunderstood. He had calmed the crowd by his words of wisdom many a time before and had saved them from mutual destruction but now he was not understood. They thought that it was he who had shouted "Fire !" With all the eloquence of which he was capable he assured them that he was exerting all his efforts for their sake alone; that he himself needed absolutely nothing, for he was alone, childless; that he was ready to forget the sad misunderstanding and serve them again with faith and truth, but all in vain. They would not trust him. And in this respect Max did not have any special peculiarities, either. The sad incident ended for Max in a new intermission.
*
Max was alive, as was positively established by medical experts, who had made a series of simple tests. Thus, when they pricked a needle into his foot, he shook his foot and tried to remove the needle. When they put food before him, he ate it, but he did not walk and did not ask for any loans, which clearly testified to the complete decline of his energy. His soul was dead, as much as the soul can be dead while the body is alive. To Max all that he had loved and believed in was dead. Impenetrable gloom wrapped his soul. There were neither feelings in it, nor desires, nor thoughts. And there was not a more unhappy man in the world than Max, if he was a man at all.
But he was a man.
According to the calendar, it was Friday or Saturday, when Max awakened as from a prolonged sleep. With the pleasant sensation of an owner to whom his property has been restored which had wrongly been taken from him, Max realised that he was once more in possession of all his five senses.
His sight reported to him that he was all alone, in a place which might in justice be called either a room or a chimney. Each wall of the room was about a metre and a half wide and about ten metres high. The walls were straight, white, smooth, with no openings, except one through which food was brought to Max. An electric lamp was burning brightly on the ceiling. It was burning all the time, so that Max did not know now what darkness was. There was no furniture in the room, and Max had to lie on the stone floor. He lay curled together, as the narrowness of the room did not permit him to stretch himself.
His sense of hearing reported to him that until the day of his death he would not leave this room.... Having reported this, his hearing sank into inactivity, for not the slightest sound came from without, except the sounds which Max himself produced, tossing about, or shouting until he was hoarse, until he lost his voice.
Max looked into himself. In contrast to the outward light which never went out he saw within himself impenetrable, heavy, and motionless darkness. In that darkness his love and faith were buried.
Max did not know whether time was moving or whether it stood motionless. The same even, white light poured down on him, the same silence and quiet. Only by the beating of his heart Max could judge that Chronos had not left his chariot. His body was aching ever more from the unnatural position in which it lay, and the constant light and silence were growing ever more tormenting. How happy are they for whom night exists, near whom people are shouting, making noise, beating drums; who may sit on a chair, with their feet hanging down, or lie with their feet outstretched, placing the head in a corner and covering it with the hands in order to create the illusion of darkness.
Max made an effort to recall and to picture to himself what there is in life; human faces, voices, the stars.... He knew that his eyes would never in life see that again. He knew it, and yet he lived. He could have destroyed himself, for there is no position in which a man can not do that, but instead Max worried about his health, trying to eat, although he had no appetite, solving mathematical problems to occupy his mind so as not to lose his reason. He struggled against death as if it were not his deliverer, but his enemy; and as if life were to him not the worst of infernal tortures--but love, faith, and happiness. Gloom in the Past, the grave in the Future, and infernal tortures in the Present and yet he lived. Tell me, John N., where did he get the strength for that?
He hoped.
A STORY WHICH WILL NEVER BE FINISHED
"Do you know," she said, "do you know they are building barricades on our street ?"
It was quiet. We looked straight into each other's eyes, and I felt my face turning pale. Life vanished somewhere and then returned again with a loud throbbing of the heart. It was quiet and the flame of the candle was quivering, and it was small, dull, but sharp-pointed, like a crooked sword.
"Are you afraid ?" I asked.
The pale chin trembled, but her eyes remained motionless and looked at me, without blinking, and only now I noticed what unfamiliar, what terrible eyes they were. For ten years I had looked into them and had known them better than my own eyes, and now there was something new in them which I am unable define. I would have called it pride, but there was something different in them, something new, entirely new. I took her hand; it was cold. She grasped my hand firmly and there was something new, something I had not known before, in her handclasp.
She had never before clasped my hand as she did this time.
"How long ?" I asked.
"About an hour already. Your brother has gone away. He was apparently afraid that you would not let him go, so he went away quietly. But I saw it."
It was true then; the time had arrived. I rose, and, for some reason, spent a long time washing myself, as was my wont in the morning before going to work, and my wife held the light. Then we put out the light and walked over to the window overlooking the street. It was spring; it was May, and the air that came in from the open window was such as we had never before felt in that old, large city. For several days the factories and the roads had been idle; and the air, free from smoke, was filled with the fragrance of the fields and the flowering gardens, perhaps with that of the dew. I do not know what it is that smells so wonderfully on spring nights when I go out far beyond the outskirts of the city. Not a lantern, not a carriage, not a single sound of the city over the unconcerned stony surface; if you had closed your eyes you would really have thought that you were in a village. There a dog was barking. I had never before heard a dog barking in the city, and I laughed for happiness.
"Listen, a dog is barking."
My wife embraced me, and said:
"It is there, on the corner."
We bent over the window-sill, and there, in the transparent, dark depth, we saw some movement, not people, but movement. Something was moving about like a shadow. Suddenly the blows of a hatchet or a hammer resounded. They sounded so cheerful, so resonant, as in a forest, as on a river when you are mending a boat or building a dam. And in the presentiment of cheerful, harmonious work, I firmly embraced my wife, while she looked above the houses, above the roofs, looked at the young crescent of the moon, which was already setting. The moon was so young, so strange, even as a young girl who is dreaming and is afraid to tell her dreams; and it was shining only for itself.
"When will we have a full moon ?..."
"You must not! You must not !" my wife interrupted. "You must not speak of that which will be. What for ? It is afraid of words. Come here."
It was dark in the room, and we were silent for a long time, without seeing each other, yet thinking of the same thing. And when I started to speak, it seemed to me that some one else was speaking; I was not afraid, yet the voice of the other one was hoarse, as though suffocating for thirst.
"What shall it be ?"
"And, they ?"
"You will be with them. It will be enough for them to have a mother. I cannot remain."
"And I ? Can I ?"
I know that she did not stir from her place, but I felt distinctly that she was going away, that she was far, far away. I began to feel so cold, I stretched out my hands, but she pushed them aside.
"People have such a holiday once in a hundred years, and you want to deprive me of it. Why ?" she said.
"But they may kill you there. And our children will perish."
"Life will be merciful to me. But even if they should perish "
And this was said by her, my wife--a woman with whom I had lived for ten years. But yesterday she had known nothing except our children, and had been filled with fear for them; but yesterday she had caught with terror the stern symptoms of the future. What had come over her ? Yesterday, but I, too, forgot everything that was yesterday.
"Do you want to go with me ?"
"Do not be angry" she thought that I was afraid, angry "Don't be angry. Tonight, when they began to knock here, and you were still sleeping, I suddenly understood that my husband, my children, all these were simply temporary... I love you, very much" she found my hand and shook it with the same new, unfamiliar grasp "but do you hear how they are knocking there ? They are knocking, and something seems to be falling, some kind of walls seem to be falling, and it is so spacious, so wide, so free. It is night now, and yet it seems to me that the sun is shining. I am thirty years of age, and I am old already, and yet it seems to me that I am only seventeen, and that I love some one with my first love, a great, boundless love."
"What a night !" I said. "It is as if the city were no more. You are right, I have also forgotten how old I am."
"They are knocking, and it sounds to me like music, like singing of which I have always dreamed, all my life. And I did not know whom it was that I loved with such a boundless love, which made me feel like crying and laughing and singing. There is freedom, do not take my happiness away, let me die with those who are working there, who are calling the future so bravely, and who are rousing the dead past from its grave."
"There is no such thing as time."
"What do you say ?"
"There is no such thing as time. Who are you ? I did not know you. Are you a human being ?"
She burst into such ringing laughter as though she were really only seventeen years old.
"I did not know you, either. Are you, too, a human being ? How strange and how beautiful it is a human being !"
That which I am writing happened long ago, and those who are sleeping now in the sleep of grey life and who die without awakening, those will not believe me: in those days there was no such thing as time. The sun was rising and setting, and the hand was moving around the dial, but time did not exist. And many other great and wonderful things happened in those days.... And those who are sleeping now the sleep of this grey life and who die without awakening, will not believe me.
"I must go," said I.
"Wait, I will give you something to eat. You haven't eaten anything today. See how sensible I am: I shall go tomorrow. I shall give the children away and find you."
"Comrade," said I.
"Yes, comrade."
Through the open windows came the breath of the fields, and silence, and from time to time, the cheerful strokes of the axe, and I sat by the table and looked and listened, and everything was so mysteriously new that I felt like laughing. I looked at the walls and they seemed to me to be transparent. As if embracing all eternity with one glance, I saw how all these walls had been built, I saw how they were being destroyed, and I alone always was and always will be. Everything will pass, but I shall remain. And everything seemed to me strange and queer, so unnatural, the table and the food upon it, and everything outside of me. It all seemed to me transparent and light, existing only temporarily.
"Why don't you eat ?" asked my wife.
I smiled:
"Bread, it is so strange."
She glanced at the bread, at the stale, dry crust of bread, and for some reason her face became sad. Still continuing to look at it, she silently adjusted her apron with her hands and her head turned slightly, very slightly, in the direction where the children were sleeping.
"Do you feel sorry for them ?" I asked.
She shook her head without removing her eyes from the bread.
"No, but I was thinking of what happened in our life before."
How incomprehensible ! As one who awakens from a long sleep, she surveyed the room with her eyes and all seemed to her so incomprehensible. Was this the place where we had lived ?
"You were my wife."
"And there are our children."
"Here, beyond the wall, your father died."
"Yes. He died. He died without awakening."
The smallest child, frightened at something in her sleep, began to cry. And this simple childish cry, apparently demanding something, sounded so strange amid these phantom walls, while there, below, people were building barricades.
She cried and demanded, caresses, certain queer words and promises to soothe her. And she soon was soothed.
"Well, go !" said my wife in a whisper.
"I should like to kiss them."
"I am afraid you will wake them up."
"No, I will not."
It turned out that the oldest child was awake--he had heard and understood everything. He was but nine years old, but he understood everything, he met me with a deep, stern look.
"Will you take your gun ?" he asked thoughtfully and earnestly.
"I will."
"It is behind the stove."
"How do you know ? Well, kiss me. Will you remember me ?"
He jumped up in his bed, in his short little shirt, hot from sleep, and firmly clasped my neck. His arms were burning, they were so soft and delicate. I lifted his hair on the back of his head and kissed his little neck.
"Will they kill you ?" he whispered right into my ear.
"No, I will come back."
But why did he not cry ? He had cried sometimes when I had simply left the house for a while: Is it possible that IT had reached him, too ? Who knows ? So many strange things happened during the great days.
I looked at the walls, at the bread, at the candle, at the flame which had kept flickering, and took my wife by the hand.
"Well, 'till we meet again !"
"Yes, 'till we meet again !"
That was all. I went out. It was dark on the stairway and there was the odour of old filth. Surrounded on all sides by the stones and the darkness, groping down the stairs, I was seized with a tremendous, powerful and all absorbing feeling of the new, unknown and joyous something to which I was going.
LAZARUS
When Lazarus rose from the grave, after three days and nights in the mysterious thraldom of death, and returned alive to his home, it was a long time before any one noticed the evil peculiarities in him that were later to make his very name terrible. His friends and relatives were jubilant that he had come back to life. They surrounded him with tenderness, they were lavish of their eager attentions, spending the greatest care upon his food and drink and the new garments they made for him. They clad him gorgeously in the glowing colours of hope and laughter, and when, arrayed like a bridegroom, he sat at table with them again, ate again, and drank again, they wept fondly and summoned the neighbours to look upon the man miraculously raised from the dead.
The neighbours came and were moved with joy. Strangers arrived from distant cities and villages to worship the miracle. They burst into stormy exclamations, and buzzed around the house of Mary and Martha, like so many bees.
That which was new in Lazarus' face and gestures they explained naturally, as the traces of his severe illness and the shock he had passed through. It was evident that the disintegration of the body had been halted by a miraculous power, but that the restoration had not been complete; that death had left upon his face and body the effect of an artist's unfinished sketch seen through a thin glass. On his temples, under his eyes, and in the hollow of his cheek lay a thick, earthy blue. His fingers were blue, too, and under his nails, which had grown long in the grave, the blue had turned livid. Here and there on his lips and body, the skin, blistered in the grave, had burst open and left reddish glistening cracks, as if covered with a thin, glassy slime. And he had grown exceedingly stout. His body was horribly bloated and suggested the fetid, damp smell of putrefaction. But the cadaverous, heavy odour that clung to his burial garments and, as it seemed, to his very body, soon wore off, and after some time the blue of his hands and face softened, and the reddish cracks of his skin smoothed out, though they never disappeared completely. Such was the aspect of Lazarus in his second life. It looked natural only to those who had seen him buried.
Not merely Lazarus' face, but his very character, it seemed, had changed; though it astonished no one and did not attract the attention it deserved. Before his death Lazarus had been cheerful and careless, a lover of laughter and harmless jest. It was because of his good humour, pleasant and equable, his freedom from meanness and gloom, that he had been so beloved by the Master. Now he was grave and silent; neither he himself jested nor did he laugh at the jests of others; and the words he spoke occasionally were simple, ordinary and necessary words, words as much devoid of sense and depth as are the sounds with which an animal expresses pain and pleasure, thirst and hunger. Such words a man may speak all his life and no one would ever know the sorrows and joys that dwelt within him.
Thus it was that Lazarus sat at the festive table among his friends and relatives, his face the face of a corpse over which, for three days, death had reigned in darkness, his garments gorgeous and festive, glittering with gold, bloody-red and purple; his mien heavy and silent. He was horribly changed and strange, but as yet undiscovered. In high waves, now mild, now stormy, the festivities went on around him. Warm glances of love caressed his face, still cold with the touch of the grave; and a friend's warm hand patted his bluish, heavy hand. And the music played joyous tunes mingled of the sounds of the tympanum, the pipe, the zither and the dulcimer. It was as if bees were humming, locusts buzzing and birds singing over the happy home of Mary and Martha.
II
Some one recklessly lifted the veil. By one breath of an uttered word he destroyed the serene charm, and uncovered the truth in its ugly nakedness. No thought was clearly defined in his mind, when his lips smilingly asked: "Why do you not tell us, Lazarus, what was There ?" And all became silent, struck with the question. Only now it seemed to have occurred to them that for three days Lazarus had been dead; and they looked with curiosity, awaiting an answer. But Lazarus remained silent.
"You will not tell us ?" wondered the inquirer. "Is it so terrible There ?"
Again his thought lagged behind his words. Had it preceded them, he would not have asked the question, for, at the very moment he uttered it, his heart sank with a dread fear. All grew restless; they awaited the words of Lazarus anxiously. But he was silent, cold and severe, and his eyes were cast down. And now, as if for the first time, they perceived the horrible bluishness of his face and the loathsome corpulence of his body. On the table, as if forgotten by Lazarus, lay his livid blue hand, and all eyes were riveted upon it, as though expecting the desired answer from that hand. The musicians still played; then silence fell upon them, too, and the gay sounds died down, as scattered coals are extinguished by water. The pipe became mute, and the ringing tympanum and the murmuring dulcimer; and as though a chord were broken, as though song itself were dying, the zither echoed a trembling broken sound. Then all was quiet.
"You will not ?" repeated the inquirer, unable to restrain his babbling tongue. Silence reigned, and the livid blue hand lay motionless. It moved slightly, and the company sighed with relief and raised their eyes. Lazarus, risen from the dead, was looking straight at them, embracing all with one glance, heavy and terrible.
This was on the third day after Lazarus had arisen from the grave. Since then many had felt that his gaze was the gaze of destruction, but neither those who had been forever crushed by it, nor those who in the prime of life (mysterious even as death) had found the will to resist his glance, could ever explain the terror that lay immovable in the depths of his black pupils. He looked quiet and simple. One felt that he had no intention to hide anything, but also no intention to tell anything. His look was cold, as of one who is entirely indifferent to all that is alive. And many careless people who pressed around him, and did not notice him, later learned with wonder and fear the name of this stout, quiet man who brushed against them with his sumptuous, gaudy garments. The sun did not stop shining when he looked, neither did the fountain cease playing, and the Eastern sky remained cloudless and blue as always; but the man who fell under his inscrutable gaze could no longer feel the sun, nor hear the fountain, nor recognise his native sky. Sometimes he would cry bitterly, sometimes tear his hair in despair and madly call for help; but generally it happened that the men thus stricken by the gaze of Lazarus began to fade away listlessly and quietly and pass into a slow death lasting many long years. They died in the presence of everybody, colourless, haggard and gloomy, like trees withering on rocky ground. Those who screamed in madness sometimes came back to life; but the others, never.
"So you will not tell us, Lazarus, what you saw There ?" the inquirer repeated for the third time. But now his voice was dull, and a dead, grey weariness looked stupidly from out his eyes. The faces of all present were also covered by the same dead grey weariness like a mist. The guests stared at one another stupidly, not knowing why they had come together or why they sat around this rich table. They stopped talking, and vaguely felt it was time to leave; but they could not overcome the lassitude that spread through their muscles. So they continued to sit there, each one isolated, like little dim lights scattered in the darkness of night.
The musicians were paid to play, and they again took up the instruments, and again played gay or mournful airs. But it was music made to order, always the same tunes, and the guests listened wonderingly. Why was this music necessary, they thought, why was it necessary and what good did it do for people to pull at strings and blow their cheeks into thin pipes, and produce varied and strange-sounding noises ?
"How badly they play !" said some one.
The musicians were insulted and left. Then the guests departed one by one, for it was nearing night. And when the quiet darkness enveloped them, and it became easier to breathe, the image of Lazarus suddenly arose before each one in stern splendour. There he stood, with the blue face of a corpse and the raiment of a bridegroom, sumptuous and resplendent, in his eyes that cold stare in the depths of which lurked The Horrible ! They stood still as if turned into stone. The darkness surrounded them, and in the midst of this darkness flamed up the horrible apparition, the supernatural vision, of the one who for three days had lain under the measureless power of death. Three days he had been dead. Thrice had the sun risen and set, and he had lain dead. The children had played, the water had murmured as it streamed over the rocks, the hot dust had clouded the highway, and he had been dead. And now he was among men again, touched them, looked at them, looked at them ! And through the black rings of his pupils, as through dark glasses, the unfathomable There gazed upon humanity.
III
No one took care of Lazarus, and no friends or kindred remained with him. Only the great desert, enfolding the Holy City, came close to the threshold of his abode. It entered his home, and lay down on his couch like a spouse, and put out all the fires. No one cared for Lazarus. One after the other went away, even his sisters, Mary and Martha. For a long while Martha did not want to leave him, for she knew not who would nurse him or take care of him; and she cried and prayed. But one night, when the wind was roaming about the desert, and the rustling cypress trees were bending over the roof, she dressed herself quietly, and quietly went away. Lazarus probably heard how the door was slammed, it had not shut properly and the wind kept knocking it continually against the post, but he did not rise, did not go out, did not try to find out the reason. And the whole night until the morning the cypress trees hissed over his head, and the door swung to and fro, allowing the cold, greedily prowling desert to enter his dwelling. Everybody shunned him as though he were a leper. They wanted to put a bell on his neck to avoid meeting him. But some one, turning pale, remarked it would be terrible if at night, under the windows, one should happen to hear Lazarus' bell, and all grew pale and assented.
Since he did nothing for himself, he would probably have starved had not his neighbours, in trepidation, saved some food for him. Children brought it to him. They did not fear him, neither did they laugh at him in the innocent cruelty in which children often laugh at unfortunates. They were indifferent to him, and Lazarus showed the same indifference to them. He showed no desire to thank them for their services; he did not try to pat the dark hands and look into the simple shining little eyes. Abandoned to the ravages of time and the desert, his house was falling to ruins, and his hungry, bleating goats had long been scattered among his neighbours. His wedding garments had grown old. He wore them without changing them, as he had donned them on that happy day when the musicians played. He did not see the difference between old and new, between torn and whole. The brilliant colours were burnt and faded; the vicious dogs of the city and the sharp thorns of the desert had rent the fine clothes to shreds.
During the day, when the sun beat down mercilessly upon all living things, and even the scorpions hid under the stones, convulsed with a mad desire to sting, he sat motionless in the burning rays, lifting high his blue face and shaggy wild beard.
While yet the people were unafraid to speak to him, same one had asked him: "Poor Lazarus ! Do you find it pleasant to sit so, and look at the sun ?" And he answered: "Yes, it is pleasant."
The thought suggested itself to people that the cold of the three days in the grave had been so intense, its darkness so deep, that there was not in all the earth enough heat or light to warm Lazarus and lighten the gloom of his eyes; and inquirers turned away with a sigh.
And when the setting sun, flat and purple-red, descended to earth, Lazarus went into the desert and walked straight toward it, as though intending to reach it. Always he walked directly toward the sun, and those who tried to follow him and find out what he did at night in the desert had indelibly imprinted upon their mind's vision the black silhouette of a tall, stout man against the red background of an immense disk. The horrors of the night drove them away, and so they never found out what Lazarus did in the desert; but the image of the black form against the red was burned forever into their brains. Like an animal with a cinder in its eye which furiously rubs its muzzle against its paws, they foolishly rubbed their eyes; but the impression left by Lazarus was ineffaceable, forgotten only in death.
There were people living far away who never saw Lazarus and only heard of him. With an audacious curiosity which is stronger than fear and feeds on fear, with a secret sneer in their hearts, some of them came to him one day as he basked in the sun, and entered into conversation with him. At that time his appearance had changed for the better and was not so frightful. At first the visitors snapped their fingers and thought disapprovingly of the foolish inhabitants of the Holy City. But when the short talk came to an end and they went home, their expression was such that the inhabitants of the Holy City at once knew their errand and said: "Here go some more madmen at whom Lazarus has looked." The speakers raised their hands in silent pity.
Other visitors came, among them brave warriors in clinking armour, who knew not fear, and happy youths who made merry with laughter and song. Busy merchants, jingling their coins, ran in for awhile, and proud attendants at the Temple placed their staffs at Lazarus' door. But no one returned the same as he came. A frightful shadow fell upon their souls, and gave a new appearance to the old familiar world.
Those who felt any desire to speak, after they had been stricken by the gaze of Lazarus, described the change that had come over them somewhat like this:
All objects seen by the eye and palpable to the hand became empty, light and transparent, as though they were light shadows in the darkness; and this darkness enveloped the whole universe. It was dispelled neither by the sun, nor by the moon, nor by the stars, but embraced the earth like a mother, and clothed it in a boundless black veil.
Into all bodies it penetrated, even into iron and stone; and the particles of the body lost their unity and became lonely. Even to the heart of the particles it penetrated, and the particles of the particles became lonely.
The vast emptiness which surrounds the universe, was not filled with things seen, with sun or moon or stars; it stretched boundless, penetrating everywhere, disuniting everything, body from body, particle from particle.
In emptiness the trees spread their roots, themselves empty; in emptiness rose phantom temples, palaces and houses, all empty; and in the emptiness moved restless Man, himself empty and light, like a shadow.
There was no more a sense of time; the beginning of all things and their end merged into one. In the very moment when a building was being erected and one could hear the builders striking with their hammers, one seemed already to see its ruins, and then emptiness where the ruins were.
A man was just born, and funeral candles were already lighted at his head, and then were extinguished; and soon there was emptiness where before had been the man and the candles.
And surrounded by Darkness and Empty Waste, Man trembled hopelessly before the dread of the Infinite.
So spoke those who had a desire to speak. But much more could probably have been told by those who did not want to talk, and who died in silence.
IV
At that time there lived in Rome a celebrated sculptor by the name of Aurelius. Out of clay, marble and bronze he created forms of gods and men of such beauty that this beauty was proclaimed immortal. But he himself was not satisfied, and said there was a supreme beauty that he had never succeeded in expressing in marble or bronze. "I have not yet gathered the radiance of the moon," he said; "I have not yet caught the glare of the sun. There is no soul in my marble, there is no life in my beautiful bronze." And when by moonlight he would slowly wander along the roads, crossing the black shadows of the cypress-trees, his white tunic flashing in the moonlight, those he met used to laugh good-naturedly and say: "Is it moonlight that you are gathering, Aurelius ? Why did you not bring some baskets along ?"
And he, too, would laugh and point to his eyes and say: "Here are the baskets in which I gather the light of the moon and the radiance of the sun."
And that was the truth. In his eyes shone moon and sun. But he could not transmit the radiance to marble. Therein lay the greatest tragedy of his life. He was a descendant of an ancient race of patricians, had a good wife and children, and except in this one respect, lacked nothing.
When the dark rumour about Lazarus reached him, he consulted his wife and friends and decided to make the long voyage to Judea, in order that he might look upon the man miraculously raised from the dead. He felt lonely in those days and hoped on the way to renew his jaded energies. What they told him about Lazarus did not frighten him. He had meditated much upon death. He did not like it, nor did he like those who tried to harmonise it with life. On this side, beautiful life; on the other, mysterious death, he reasoned, and no better lot could befall a man than to live to enjoy life and the beauty of living. And he already had conceived a desire to convince Lazarus of the truth of this view and to return his soul to life even as his body had been returned. This task did not appear impossible, for the reports about Lazarus, fearsome and strange as they were, did not tell the whole truth about him, but only carried a vague warning against something awful.
Lazarus was getting up from a stone to follow in the path of the setting sun, on the evening when the rich Roman, accompanied by an armed slave, approached him, and in a ringing voice called to him: "Lazarus !"
Lazarus saw a proud and beautiful face, made radiant by fame, and white garments and precious jewels shining in the sunlight. The ruddy rays of the sun lent to the head and face a likeness to dimly shining bronze that was what Lazarus saw. He sank back to his seat obediently, and wearily lowered his eyes.
"It is true you are not beautiful, my poor Lazarus," said the Roman quietly, playing with his gold chain. "You are even frightful, my poor friend; and death was not lazy the day when you so carelessly fell into its arms. But you are as fat as a barrel, and 'Fat people are not bad,' as the great Caesar said. I do not understand why people are so afraid of you. You will permit me to stay with you over night ? It is already late, and I have no abode."
Nobody had ever asked Lazarus to be allowed to pass the night with him.
"I have no bed," said he.
"I am somewhat of a warrior and can sleep sitting," replied the Roman. "We shall make a light."
"I have no light."
"Then we will converse in the darkness like two friends. I suppose you have some wine ?"
"I have no wine."
The Roman laughed.
"Now I understand why you are so gloomy and why you do not like your second life. No wine ? Well, we shall do without. You know there are words that go to one's head even as Falernian wine."
With a motion of his head he dismissed the slave, and they were alone. And again the sculptor spoke, but it seemed as though the sinking sun had penetrated into his words. They faded, pale and empty, as if trembling on weak feet, as if slipping and falling, drunk with the wine of anguish and despair. And black chasms appeared between the two men, like remote hints of vast emptiness and vast darkness.
"Now I am your guest and you will not ill-treat me, Lazarus !" said the Roman. "Hospitality is binding even upon those who have been three days dead. Three days, I am told, you were in the grave. It must have been cold there... and it is from there that you have brought this bad habit of doing without light and wine. I like a light. It gets dark so quickly here. Your eyebrows and forehead have an interesting line: even as the ruins of castles covered with the ashes of an earthquake. But why in such strange, ugly clothes ? I have seen the bridegrooms of your country, they wear clothes like that, such ridiculous clothes, such awful garments... Are you a bridegroom ?"
Already the sun had disappeared. A gigantic black shadow was approaching fast from the west, as if prodigious bare feet were rustling over the sand. And the chill breezes stole up behind.
"In the darkness you seem even bigger, Lazarus, as though you had grown stouter in these few minutes. Do you feed on darkness, perchance ?... And I would like a light... just a small light... just a small light. And I am cold. The nights here are so barbarously cold... If it were not so dark, I should say you were looking at me, Lazarus. Yes, it seems, you are looking. You are looking. You are looking at me!... I feel it, now you are smiling."
The night had come, and a heavy blackness filled the air.
"How good it will be when the sun rises again to-morrow... You know I am a great sculptor... so my friends call me. I create, yes, they say I create, but for that daylight is necessary. I give life to cold marble. I melt the ringing bronze in the fire, in a bright, hot fire. Why did you touch me with your hand ?"
"Come," said Lazarus, "you are my guest." And they went into the house. And the shadows of the long evening fell on the earth...
The slave at last grew tired waiting for his master, and when the sun stood high he came to the house. And he saw, directly under its burning rays, Lazarus and his master sitting close together. They looked straight up and were silent.
The slave wept and cried aloud: "Master, what ails you, Master !"
The same day Aurelius left for Rome. The whole way he was thoughtful and silent, attentively examining everything, the people, the ship, and the sea, as though endeavouring to recall something. On the sea a great storm overtook them, and all the while Aurelius remained on deck and gazed eagerly at the approaching and falling waves. When he reached home his family were shocked at the terrible change in his demeanour, but he calmed them with the words: "I have found it !"
In the dusty clothes which he had worn during the entire journey and had not changed, he began his work, and the marble ringingly responded to the resounding blows of the hammer. Long and eagerly he worked, admitting no one. At last, one morning, he announced that the work was ready, and gave instructions that all his friends, and the severe critics and judges of art, be called together. Then he donned gorgeous garments, shining with gold, glowing with the purple of the byssin.
"Here is what I have created," he said thoughtfully.
His friends looked, and immediately the shadow of deep sorrow covered their faces. It was a thing monstrous, possessing none of the forms familiar to the eye, yet not devoid of a hint of some new unknown form. On a thin tortuous little branch, or rather an ugly likeness of one, lay crooked, strange, unsightly, shapeless heaps of something turned outside in, or something turned inside out, wild fragments which seemed to be feebly trying to get away from themselves. And, accidentally, under one of the wild projections, they noticed a wonderfully sculptured butterfly, with transparent wings, trembling as though with a weak longing to fly.
"Why that wonderful butterfly, Aurelius ?" timidly asked some one.
"I do not know," answered the sculptor.
The truth had to be told, and one of his friends, the one who loved Aurelius best, said: "This is ugly, my poor friend. It must be destroyed. Give me the hammer." And with two blows he destroyed the monstrous mass, leaving only the wonderfully sculptured butterfly.
After that Aurelius created nothing. He looked with absolute indifference at marble and at bronze and at his own divine creations, in which dwelt immortal beauty. In the hope of breathing into him once again the old flame of inspiration, with the idea of awakening his dead soul, his friends led him to see the beautiful creations of others, but he remained indifferent and no smile warmed his closed lips. And only after they spoke to him much and long of beauty, he would reply wearily:
"But all this is, a lie."
And in the daytime, when the sun was shining, he would go into his rich and beautifully laid-out garden, and finding a place where there was no shadow, would expose his bare head and his dull eyes to the glitter and burning heat of the sun. Red and white butterflies fluttered around; down into the marble cistern ran splashing water from the crooked mouth of a blissfully drunken Satyr; but he sat motionless, like a pale shadow of that other one who, in a far land, at the very gates of the stony desert, also sat motionless under the fiery sun.
V
And it came about finally that Lazarus was summoned to Rome by the great Augustus.
They dressed him in gorgeous garments as though it had been ordained that he was to remain a bridegroom to an unknown bride until the very day of his death. It was as if an old coffin, rotten and falling apart, were regilded over and over, and gay tassels were hung on it. And solemnly they conducted him in gala attire, as though in truth it were a bridal procession, the runners loudly sounding the trumpet that the way be made for the ambassadors of the Emperor. But the roads along which he passed were deserted. His entire native land cursed the execrable name of Lazarus, the man miraculously brought to life, and the people scattered at the mere report of his horrible approach. The trumpeters blew lonely blasts, and only the desert answered with a dying echo.
Then they carried him across the sea on the saddest and most gorgeous ship that was ever mirrored in the azure waves of the Mediterranean. There were many people aboard, but the ship was silent and still as a coffin, and the water seemed to moan as it parted before the short curved prow. Lazarus sat lonely, baring his head to the sun, and listening in silence to the splashing of the waters. Further away the seamen and the ambassadors gathered like a crowd of distressed shadows. If a thunderstorm had happened to burst upon them at that time or the wind had overwhelmed the red sails, the ship would probably have perished, for none of those who were on her had strength or desire enough to fight for life. With supreme effort some went to the side of the ship and eagerly gazed at the blue, transparent abyss. Perhaps they imagined they saw a naiad flashing a pink shoulder through the waves, or an insanely joyous and drunken centaur galloping by, splashing up the water with his hoofs. But the sea was deserted and mute, and so was the watery abyss.
Listlessly Lazarus set foot on the streets of the Eternal City, as though all its riches, all the majesty of its gigantic edifices, all the lustre and beauty and music of refined life, were simply the echo of the wind in the desert, or the misty images of hot running sand. Chariots whirled by; the crowd of strong, beautiful, haughty men passed on, builders of the Eternal City and proud partakers of its life; songs rang out; fountains laughed; pearly laughter of women filled the air, while the drunkard philosophised and the sober ones smilingly listened; horseshoes rattled on the pavement. And surrounded on all sides by glad sounds, a fat, heavy man moved through the centre of the city like a cold spot of silence, sowing in his path grief, anger and vague, carking distress. Who dared to be sad in Rome ? indignantly demanded frowning citizens; and in two days the swift-tongued Rome knew of Lazarus, the man miraculously raised from the grave, and timidly evaded him.
There were many brave men ready to try their strength, and at their senseless call Lazarus came obediently. The Emperor was so engrossed with state affairs that he delayed receiving the visitor, and for seven days Lazarus moved among the people.
A jovial drunkard met him with a smile on his red lips. "Drink, Lazarus, drink !" he cried, "Would not Augustus laugh to see you drink !" And naked, besotted women laughed, and decked the blue hands of Lazarus with rose-leaves. But the drunkard looked into the eyes of Lazarus, and his joy ended forever. Thereafter he was always drunk. He drank no more, but was drunk all the time, shadowed by fearful dreams, instead of the joyous reveries that wine gives. Fearful dreams became the food of his broken spirit. Fearful dreams held him day and night in the mists of monstrous fantasy, and death itself was no more fearful than the apparition of its fierce precursor.
Lazarus came to a youth and his lass who loved each other and were beautiful in their love. Proudly and strongly holding in his arms his beloved one, the youth said, with gentle pity: "Look at us, Lazarus, and rejoice with us. Is there anything stronger than love ?"
And Lazarus looked at them. And their whole life they continued to love one another, but their love became mournful and gloomy, even as those cypress trees over the tombs that feed their roots on the putrescence of the grave, and strive in vain in the quiet evening hour to touch the sky with their pointed tops. Hurled by fathomless life-forces into each other's arms, they mingled their kisses with tears, their joy with pain, and only succeeded in realising the more vividly a sense of their slavery to the silent Nothing. Forever united, forever parted, they flashed like sparks, and like sparks went out in boundless darkness.
Lazarus came to a proud sage, and the sage said to him: "I already know all the horrors that you may tell me, Lazarus. With what else can you terrify me ?"
Only a few moments passed before the sage realised that the knowledge of the horrible is not the horrible, and that the sight of death is not death. And he felt that in the eyes of the Infinite wisdom and folly are the same, for the Infinite knows them not. And the boundaries between knowledge and ignorance, between truth and falsehood, between top and bottom, faded and his shapeless thought was suspended in emptiness. Then he grasped his grey head in his hands and cried out insanely: "I cannot think ! I cannot think !"
Thus it was that under the cool gaze of Lazarus, the man miraculously raised from the dead, all that serves to affirm life, its sense and its joys, perished. And people began to say it was dangerous to allow him to see the Emperor; that it were better to kill him and bury him secretly, and swear he had disappeared. Swords were sharpened and youths devoted to the welfare of the people announced their readiness to become assassins, when Augustus upset the cruel plans by demanding that Lazarus appear before him.
Even though Lazarus could not be kept away, it was felt that the heavy impression conveyed by his face might be somewhat softened. With that end in view expert painters, barbers and artists were secured who worked the whole night on Lazarus' head. His beard was trimmed and curled. The disagreeable and deadly bluishness of his hands and face was covered up with paint; his hands were whitened, his cheeks rouged. The disgusting wrinkles of suffering that ridged his old face were patched up and painted, and on the smooth surface, wrinkles of good-nature and laughter, and of pleasant, good-humoured cheeriness, were laid on artistically with fine brushes.
Lazarus submitted indifferently to all they did with him, and soon was transformed into a stout, nice-looking old man, for all the world a quiet and good-humoured grandfather of numerous grandchildren. He looked as though the smile with which he told funny stories had not left his lips, as though a quiet tenderness still lay hidden in the corner of his eyes. But the wedding-dress they did not dare to take off; and they could not change his eyes the dark, terrible eyes from out of which stared the incomprehensible There.
VI
Lazarus was untouched by the magnificence of the imperial apartments. He remained stolidly indifferent, as though he saw no contrast between his ruined house at the edge of the desert and the solid, beautiful palace of stone. Under his feet the hard marble of the floor took on the semblance of the moving sands of the desert, and to his eyes the throngs of gaily dressed, haughty men were as unreal as the emptiness of the air. They looked not into his face as he passed by, fearing to come under the awful bane of his eyes; but when the sound of his heavy steps announced that he had passed, heads were lifted, and eyes examined with timid curiosity the figure of the corpulent, tall, slightly stooping old man, as he slowly passed into the heart of the imperial palace. If death itself had appeared men would not have feared it so much; for hitherto death had been known to the dead only, and life to the living only, and between these two there had been no bridge. But this strange being knew death, and that knowledge of his was felt to be mysterious and cursed. "He will kill our great, divine Augustus," men cried with horror, and they hurled curses after him. Slowly and stolidly he passed them by, penetrating ever deeper into the palace.
Caesar knew already who Lazarus was, and was prepared to meet him. He was a courageous man; he felt his power was invincible, and in the fateful encounter with the man "wonderfully raised from the dead" he refused to lean on other men's weak help. Man to man, face to face, he met Lazarus.
"Do not fix your gaze on me, Lazarus," he commanded. "I have heard that your head is like the head of Medusa, and turns into stone all upon whom you look. But I should like to have a close look at you, and to talk to you before I turn into stone," he added in a spirit of playfulness that concealed his real misgivings.
Approaching him, he examined closely Lazarus' face and his strange festive clothes. Though his eyes were sharp and keen, he was deceived by the skilful counterfeit.
"Well, your appearance is not terrible, venerable sir. But all the worse for men, when the terrible takes on such a venerable and pleasant appearance. Now let us talk."
Augustus sat down, and as much by glance as by words began the discussion. "Why did you not salute me when you entered ?"
Lazarus answered indifferently: "I did not know it was necessary."
"You are a Christian ?"
"No."
Augustus nodded approvingly. "That is good. I do not like the Christians. They shake the tree of life, forbidding it to bear fruit, and they scatter to the wind its fragrant blossoms. But who are you ?"
With some effort Lazarus answered: "I was dead."
"I heard about that. But who are you now ?"
Lazarus' answer came slowly. Finally he said again, listlessly and indistinctly: "I was dead."
"Listen to me, stranger," said the Emperor sharply, giving expression to what had been in his mind before. "My empire is an empire of the living; my people are a people of the living and not of the dead. You are superfluous here. I do not know who you are, I do not know what you have seen There, but if you lie, I hate your lies, and if you tell the truth, I hate your truth. In my heart I feel the pulse of life; in my hands I feel power, and my proud thoughts, like eagles, fly through space. Behind my back, under the protection of my authority, under the shadow of the laws I have created, men live and labour and rejoice. Do you hear this divine harmony of life ? Do you hear the war cry that men hurl into the face of the future, challenging it to strife ?"
Augustus extended his arms reverently and solemnly cried out: "Blessed art thou, Great Divine Life !"
But Lazarus was silent, and the Emperor continued more severely: "You are not wanted here. Pitiful remnant, half devoured of death, you fill men with distress and aversion to life. Like a caterpillar on the fields, you are gnawing away at the full seed of joy, exuding the slime of despair and sorrow. Your truth is like a rusted sword in the hands of a night assassin, and I shall condemn you to death as an assassin. But first I want to look into your eyes. Mayhap only cowards fear them, and brave men are spurred on to struggle and victory. Then will you merit not death but a reward. Look at me, Lazarus."
At first it seemed to divine Augustus as if a friend were looking at him, so soft, so alluring, so gently fascinating was the gaze of Lazarus. It promised not horror but quiet rest, and the Infinite dwelt there as a fond mistress, a compassionate sister, a mother. And ever stronger grew its gentle embrace, until he felt, as it were, the breath of a mouth hungry for kisses... Then it seemed as if iron bones protruded in a ravenous grip, and closed upon him in an iron band; and cold nails touched his heart, and slowly, slowly sank into it.
"It pains me," said divine Augustus, growing pale; "but look, Lazarus, look !"
Ponderous gates, shutting off eternity, appeared to be slowly swinging open, and through the growing aperture poured in, coldly and calmly, the awful horror of the Infinite. Boundless Emptiness and Boundless Gloom entered like two shadows, extinguishing the sun, removing the ground from under the feet, and the cover from over the head. And the pain in his icy heart ceased.
"Look at me, look at me, Lazarus !" commanded Augustus, staggering...
Time ceased and the beginning of things came perilously near to the end. The throne of Augustus, so recently erected, fell to pieces, and emptiness took the place of the throne and of Augustus. Rome fell silently into ruins. A new city rose in its place, and it too was erased by emptiness. Like phantom giants, cities, kingdoms, and countries swiftly fell and disappeared into emptiness, swallowed up in the black maw of the Infinite...
"Cease," commanded the Emperor. Already the accent of indifference was in his voice. His arms hung powerless, and his eagle eyes flashed and were dimmed again, struggling against overwhelming darkness.
"You have killed me, Lazarus," he said drowsily.
These words of despair saved him. He thought of the people, whose shield he was destined to be, and a sharp, redeeming pang pierced his dull heart. He thought of them doomed to perish, and he was filled with anguish. First they seemed bright shadows in the gloom of the Infinite. How terrible ! Then they appeared as fragile vessels with life-agitated blood, and hearts that knew both sorrow and great joy. And he thought of them with tenderness.
And so thinking and feeling, inclining the scales now to the side of life, now to the side of death, he slowly returned to life, to find in its suffering and joy a refuge from the gloom, emptiness and fear of the Infinite.
"No, you did not kill me, Lazarus," said he firmly. "But I will kill you. Go !"
Evening came and divine Augustus partook of food and drink with great joy. But there were moments when his raised arm would remain suspended in the air, and the light of his shining, eager eyes was dimmed. It seemed as if an icy wave of horror washed against his feet. He was vanquished but not killed, and coldly awaited his doom, like a black shadow. His nights were haunted by horror, but the bright days still brought him the joys, as well as the sorrows, of life.
Next day, by order of the Emperor, they burned out Lazarus' eyes with hot irons and sent him home. Even Augustus dared not kill him.
*
Lazarus returned to the desert and the desert received him with the breath of the hissing wind and the ardour of the glowing sun. Again he sat on the stone with matted beard uplifted; and two black holes, where the eyes had once been, looked dull and horrible at the sky. In the distance the Holy City surged and roared restlessly, but near him all was deserted and still. No one approached the place where Lazarus, miraculously raised from the dead, passed his last days, for his neighbours had long since abandoned their homes. His cursed knowledge, driven by the hot irons from his eyes deep into the brain, lay there in ambush; as if from ambush it might spring out upon men with a thousand unseen eyes. No one dared to look at Lazarus.
And in the evening, when the sun, swollen crimson and growing larger, bent its way toward the west, blind Lazarus slowly groped after it. He stumbled against stones and fell; corpulent and feeble, he rose heavily and walked on; and against the red curtain of sunset his dark form and outstretched arms gave him the semblance of a cross.
It happened once that he went and never returned. Thus ended the second life of Lazarus, who for three days had been in the mysterious thraldom of death and then was miraculously raised from the dead.
