Friday, September 13, 2013

EDWARD LAMSON HENRY 1841 - 1919 - Painter
Edward Lamson Henry (1841-1919)

Pencil on paper by John George Brown (1831-1913)

Edward Lamson Henry (January 12, 1841 – May 9, 1919), commonly known as E.L. Henry, was an American  genre painter,  born in Charleston, South Carolina.

Though born in Charleston, by age seven his parents had died and Henry moved to live with cousins in New York City. He began studying painting, there and at the Pensylvania Academy of Fine Arts  in Philadelohia. 

 In 1860 he went to Paris, where he studied with Charles Gleyre and Gustave Courbet, at roughly the same time as Claude Monet, Pierre-Auguste Renoir, Frederic Bazille and Alfred Sisley.

In 1862, he returned to the United States, where he served as a clerk on a Union  transport ship in the American Civil War.

After the war he resumed his painting, with many works inspired by his experiences in the war. He moved into the prestigious Tenth Street Studio Bulding in Greenwich Village, where Winslow Homer also had a studio.

In 1869, Henry was elected to the National Academy of Design, New York.

As a painter of colonial and early American themes and incidents of rural life, he displays a quaint humour. Among his best-known compositions are some of early railroad travel, incidents of stage coach and canal boat journeys, rendered with much detail on a minute scale.

Henry was a member of the New York Historical Society.

Because of his great attention to detail, his paintings were treated by contemporaries as authentic historical reconstructions.

In 1884, Henry and his wife Frances Livingston Wells moved to the town of Cragsmoor  in the Catskill Mountains  of Upstate New York  where they helped to found an artists' colony. Henry acquired an extensive collection of antiques, old photos, and assorted Americana,  from which he researched his paintings. His wife Frances said that "Nothing annoyed him more than to see a wheel, a bit of architecture etc. carelessly drawn or out of keeping with the time it was supposed to portray.

Henry's "historical fictions" often portrayed an idyllic and agrarian America, one relatively unperturbed by Civil War or by the growing phenomena of industrialization, urbanization and immigration that were taking place during the period in which he painted.

Henry's paintings were extremely popular throughout his life. Art professor William T. Oedel wrote of his legacy, "Perhaps no artist played so consistently and so durably to the American cult of nostalgia in the last quarter of the 19th century as Edward Lamson Henry."

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